The Influence Of The "Tree" Method In Guo Xi’s Landscape Painting On My Creation Summary

"Tree" as an important part of the composition of Chinese landscape paintings,refining and summarizing the nature of its graphic style and changing characteristics provides us with an important expression technique in the conversion of works.Guo Xi’s unique artistic expression technique has played a role in the development of landscape painting Indispensable meaning.The thesis analyzes the "tree" method in Guo Xi’s existing works of landscape painting,and horizontally compares the characteristic image and characteristic changes of the drawing style;the "tree" method is used and accumulated in his own practice and creation process;and Guo Xi’s "tree""The enlightenment of the aesthetic meaning of the French schema can make us have a new understanding of it.The picture of Guo Xi was summarized and summarized by the mountains and rivers in the northern region."The mountains and forests are sacred,plain and dangerous,with twists and turns,flying and dangerous stacks,and broken bridges.They all spit out their chests,and in the writing,"the" Three Fares "" combined with the common composition method and unique artistic expression techniques such as cirrus cloud claws and crab claw claws formed Guo’s unique artistic features.Combing and analyzing artistic languages such as Guo Xi’s "Early Spring Picture","Tree-colored Pingyuan Picture","Yuanshi Pingyuan Picture","Xishan Autumn Jade Picture",looking for the objective laws in the picture and objective objects and reality,and decomposing the copy template,Use and accumulate systematically and comprehensively from the macro perspective in the process of temporary practice,and realize his brush language and artistic realm.Copying and summarizing is finally applied to the creative practice.The creation and sketching should not only summarize the picture effect,but also create the mood and improve the pen character and complement each other.Therefore,on this basis,they have to reflect on and reform,widely absorb the essence of the predecessors,avoid creation Conceptualization and stylized abuse of time.It is necessary not only to be a teacher of traditional classics,but also to be a master of both the form and thespirit of the master,but also to gain the source of the heart and to achieve the high state of mind.