The 7th To 12th "Lotus Award" Folk Dance Group Dance Scheduling Research

Dance scheduling is an important part in the dance creative,is a kind of language expression structure of dance performances,dance scheduling through the linear,graphic and spatial form of scheduling for the location of the transformation and flow,can fully express the theme of the works,depicting characters,plot development,foil atmosphere,and so on,in drama works,to play the role of a punchline.Therefore,the reasonable use of dance scheduling to sublimate the repertoire has become one of the important factors for the excellence of dance works.In this study,the application of dance scheduling(a total of 31 plays)in the repertoire winning the "lotus award" for folk dances in the 7th to 12th(recent 10years)was studied.Through the literature material law,video analysis,expert interview and mathematical statistics,the author summarizes the development of nearly 10 years dance scheduling rule and change,find out the linear scheduling,graphics,scheduling,the use of space scheduling,etc were analyzed,and the scheduling for future ethnic folk dance of the creative and to use,provide certain theoretical basis and practical application reference.The results show:1.In the past ten years,the use of dance scheduling in ethnic dances has been highly repetitive in both linear scheduling and graphic scheduling,which is too conventional and requires more innovative thinking.2.In terms of the application form of dance scheduling used in ethnic dances,linear scheduling is seldom used,and graph scheduling is mostly used.In spatial scheduling,vertical space is less than horizontal space,and horizontal space scheduling is the mainstream.The future development direction is to innovate the application form of dance scheduling,increase compound scheduling and longitudinal spatial scheduling.3.Dance scheduling in the repertoire should be closely combined with the changes in the theme,ethnic culture,character image and plot development of the work,so as to highlight the language and purpose of the dance repertoire and avoid the formation of blind dance scheduling.