| In the Han Dynasty,under the strong influence of Bronze Ware,artisan stared to decorate the lacquerware with "Kou Qi"(which means banding the lacquer wares by rare metals).As the wood-cored lacquerware it is too thick to be banded,the artisans gradually changed the wood-core into several layers of linen(which called "Tuo Tai"),and continued to band the linen-core lacquer by rare materials for strengthening and decorating.The "Ye Wang linen-core lacquerware",which produced in Yewang,Henan Province,is the only type of lacquerware that is named after by place name in the history.According to the archaeological finds and the historical records,the most typical design is called "Yewang linen-core six-part vanity case",which uses the special technique in Han Dynasty,"TuoTai".Vanity cases are lacquered and banded by gold and silver,and they are also painted with geometrical patterns.Although there is few historical relics remain,the technique has still been handed down till today because of its geographical location.The fourth generation of inheritors,Jin Liping and Chen Laihua,spent two years analyzing the traditional techniques,and successfully revived the techniques and typical works of the Yewang linen-cored lacquerware,and finally invited new technology,by which craftsmen are able to produce several cores just by one mold.In response to the development of the era,their families founded the cultural industrial park "Shan Xi Tang",determining to proper the "Yewang linen-core lacquerware".According to the characteristics of the lacquerware that made by the Henei workshop after Western Han Dynasty,the article reviews the features of the pattern,material and mental banding,"kou",of the Yewang linen-core lacquerware,and combines the existing development of the "Tan Xi Tang".It also inherits the genealogy for the future development strategy plan for the Yewang linen-core lacquerware. |