A Research On Landscape Fu In The Six Dynasties

Landscape,as a kind of topic,was rooted in the field of Fu(Rhapsody)before the Qin dynasty,which then gradually grew and eventually flourished in the Six Dynasties.Landscape Fu at the same time is a mirror that reflects the genre and the development of Fu,and is a phase in the process of the literature of landscape.It is a mirror in that we may sufficiently comprehend the form,variations and effects of Fu per se from the composition of the topic of landscape;it is a phase in that in the process of forming the literature of landscape,on the one hand,it set off at first,providing ample experiences for the composition in the field of landscape poetry and landscape prose;on the other hand,the competition between Fu and poetry with respect to the landscape domain prompted the flourishing of the literature of landscape.Landscape Fu surged at the Six Dynasties.Therefore,research on landscape Fu in the Six Dynasties is representative,which helps to clean up this mirror and stick firmly to this phase.There are five sections in this dissertation.In the exordium,we look back on the academic history of the research on the landscape Fu,and discuss some essential concepts and tasks in the research on landscape Fu.In the first chapter,we ravel out the development of landscape Fu before the Six Dynasties,aiming to find out its origin.In the second chapter,we stand on the texts to observe two models of landscape Fu appearing in the Six Dynasties——the learned,eloquent,appearance-oriented school and the susceptible,empathetic,scenery-oriented school——to find out their features and relationship,aiming to grasp the main issue on the complicated altar of Fu in the Six Dynasties.In the third chapter,we change the visual angle to analyze reasons why landscape Fu flourished in the Six Dynasties through outer factors including ideology,mores and geographical environment.In the fourth chapter,we talk about the correlation between landscape Fu and landscape poetry as well as their undulations,and briefly argue about the influence landscape Fu in the Six Dynasties left to the following times.Professor Cheng Qianfan initiated the two concepts "the ancient theory of literature"and "the theory of ancient literature".Straddling between both sides,this dissertation applies ancient theories of literature to elaborate the relative issues about landscape Fu,as well proposes some concepts and theories of ancient literature,lighting up some universal rules that lies in the ancient literature through the research on landscape Fu.