| The ancient Chinese had two common pursuits in life: living in nature and living in poetry.Nature represents their living environment and spiritual pursuit,and poetry embodies the strong empathy of Chinese people when living in space.Therefore,Chinese architectural design should be supported by cultural philosophical background and aesthetic interest.This article starts from the perspective of "Insight of Nature",and studies the architectural design under the views of nature,time,space,and philosophical concepts contained in Wang Wei’s Wangchuan Poetry.At the same time,through the precious database of Chinese classical literature,we can not only understand the Chinese people’s aesthetics,the methods of handling space and creating atmosphere,but also expand thinking about architectural design.In the second chapter,the author concludes that the description of architecture in Chinese classical literature is based on the concept of time,space and nature.These ideas have profoundly affected the development of Chinese culture and the aesthetics of artistic works.This has produced literary works with different themes related to architecture: the beauty of temples,palaces and pavilions,the joy of city life,and the excursion of the countryside.Each type of works have different focus.In the third chapter,the author chooses the excursion of the countryside as the focus of the research.The author takes " Wangchuan Poetry" as the analysis object,and other related texts and "Wangchuan Map" to expand the study.The analysis shows that the ancient people’s cognition of living space is mostly based on the insight of nature.The emotions and actions arised from natural images,the relationship between elements,and the spatial artistic conception are all closely related to nature.The fourth chapter summarizes four specific characteristics of the architectural space from the insight of nature,which are: the perspectives of "own place"-location management,"own borrowing"-the use of nature,"own charm"-spatial organization at the aesthetic level,"Walk through the eyes and imagination"-human intervention,and finally return to the cognition of the universe.In the fifth Chapter,the author falls into the perspective of contemporary architectural design,and selects several architects and their projects as the research objects,analyzes how these projects inherit and develop the architectural design under the insight of nature in combination with specific projects.In many people’s opinion,nature,landscape,literature are a kind of traditional culture.The author thinks that it is endless with development of the society and connected to the future.The author hopes to provide a new entry point to think about how to let architectural design return to culture,return to authenticity,entrust natural feelings,and pursue the spiritual world. |
