Research On The Aesthetics Of Imagery In The "Feminine" Aesthetic Form Of Private Gardens In The Song Dynasty

The Northern Song Dynasty and Southern Song Dynasty were an important transition period in Chinese history,in which the aesthetic style of society as a whole gradually changed from a relatively open and extroverted style to a relatively closed and introverted aesthetic characteristics of "feminine".Based on the theory of imagery aesthetics,this paper analyzes the stylistic characteristics of the "feminine" aesthetic form and its overall performance in the private gardens of the Song dynasty,focusing on the influence of the social and cultural backgrounds of the Song dynasty on the aesthetic state of mind of the aesthetic subjects,and exploring the image-generating process of the feminine form of private gardens from the two aesthetic processes of garden construction and garden aesthetic experience,as well as the process of realizing this aesthetic form.The process of image-making in private gardens and the gardening method to realize this aesthetic form are explored in two aesthetic processes: garden construction and garden aesthetic experience.Since there are few in situ remains of Song dynasty gardens,this paper mainly adopts the methods of documentary research,systematic induction and illustrative analysis,and sifts through 102 garden-related prose articles in Song dynasty ancient texts with clear descriptions of private gardens in the two Song dynasty,as well as poems and lyrics about Song dynasty private gardens and garden elements in All Song Poems and All Song Lyrics,and summarizes and analyzes them with a large number of It also analyzes the image-generating process of the feminine and soft aesthetic forms of private gardens in the Song dynasty by combining information from classical Chinese philosophy,intellectual history and national psychology to study the psychology and ideology of the aesthetic subject.This paper is divided into five chapters,the first of which elaborates on the background of the study,the second on the conceptual tracing and stylistic characteristics of the feminine forms in the philosophical and aesthetic spheres,and briefly discusses the overall performance of the feminine forms in the private gardens of the Song dynasty,the third on the analysis of the socio-cultural background affecting the aesthetic subject and the understanding of the aesthetic state of mind of the aesthetic subject,and the main part of the paper,the fourth and fifth chapters,which The main part of the article,namely chapters 4 and5,discusses the image-generating process of the feminine aesthetic form from two processes: garden construction and garden aesthetic experience.The interpretation of imagery aesthetics on the feminine form of private gardens not only allows the study of gardening methods from the process of aesthetic activities of situational blending and a more profound understanding of this beauty of private gardens from the aesthetic perspective of the unity of heaven and man,but also is a new attempt to introduce imagery aesthetics theory into the study of garden aesthetics,which can provide new aesthetic perspectives and aesthetic model ideas for the study of Chinese garden aesthetics theory.