| The “world center” mode is a typical model of urban landscape construction in China.It is the embodiment of Shangzhong culture in the construction of human settlements,and it is the continuation of the central and axis-symmetrical human settlement design techniques in landscape construction.Studying the cultural image and spatial schema of the “world center” mode has positive practical significance for solving the current disconnection between our country’s urban environment and natural landscape,guiding the practice of urban landscape planning,and enriching and perfecting the method of traditional Chinese landscape architecture.However,most of the research of Shangzhong Culture on the construction of human settlements is concentrated in the field of architectural design and urban planning,and stays at the focus of “centering”,“selecting the center” and “central axis”,and its research on traditional urban landscape construction is more important.The “world center” mode,which has a very early origin and has a profound impact on the construction of cities and nature,has not been paid enough attention and systematically summarized.Therefore,based on the field of traditional urban landscape construction,this article adopts the technical route of “summary of cultural images and development factorssummary of development stages-spatial pattern analysis”,and summarizes the theories and cases related to the “world center” mode.Combining the historical background,sort out the cultural image types and development motivation factors of the “world center”mode,and summarize the development process and deductive mechanism of the “world center” mode in the order of time,and then combine the theoretical content and the theoretical content of the specific “world center” mode.Practical cases,summarizing the construction methods of “world center” in terms of scale levels,constituent elements and spatial structure,are positive in reflecting China’s experience and wisdom in traditional urban landscape construction,enriching and improving the traditional Chinese landscape construction framework,and guiding the practice of urban landscape planning.The thesis is divided into three levels: basic research,model analysis and theoretical induction.In terms of basic research,search and collect historical ancient books including local chronicles,biographies,travel notes,etc.,find historical theories and practical cases related to the “world center” mode,and use time as a clue to sort out historical argumentation materials from different periods,including textual ones.Descriptive materials and image materials such as maps and paintings.In terms of model analysis,we first study the cultural image and development mechanism of the “world center” mode:combine the historical backgrounds of politics,economy,and society,and analyze the primitive worship of the “world center” mode behind the “world center” mode.Summarizing the upright rule of ritual culture,the geomantic doctrine of centered acupuncture point,and the aesthetic thought and cultural image of the golden mean and noble harmony,it is concluded that the main driving force of the development of the“world center” mode is the prosperity of rule of ritual culture and the change of landscape thought.Then according to the completeness and extensiveness of the theory and practice of the “world center” mode and the image richness of the “world center” mode as the classification criteria,it is concluded that the development and evolution of the “world center” mode is divided into the five stages: the fuzzy consciousness of the “world center”Early budding,the formal proposal of the ideal framework of the “world center”,the initial establishment of the “world center” mode,the development and popularization of the construction of the “world center” mode,and perfection and maturity of the “world center” mode system.In terms of theoretical induction,combined with specific theoretical content and empirical cases,we summarized the spatial construction techniques and typical schemes of the “world center” mode,including four scale levels: the world,the nation,the region,and the city,and follow the rules of choosing the world.The spatial pattern of a neutral country,governing a capital in a country,establishing a government in a region,and building a city in the mountains and rivers;including natural and artificial elements.The natural elements are represented by mountains and rivers,and the artificial elements are mainly centered.In the city,the sacred temples in the four directions,the construction of tours and the towers of temples and towers follow the philosophy of the unity of nature and man,presenting a spatial pattern of mutual integration;including ring arches,stratification of distances and nears,and axis orientation.The spatial structure of the model constructs the spatial relationship between the central city and the around scenery.The thesis has the following innovations: for the first time,it puts forward the “world center” landscape construction mode,which complements and perfects the wisdom of Shangzhong culture in the construction of traditional human settlement environment;secondly,this paper systematically summarizes the cultural image and spatial schema of“world center” mode,summarizes and sorts out the general mode of urban landscape construction in China under the influence of the prosperity of the culture of propriety and the change of landscape thought,and deepens the understanding and research of the evolution mechanism of urban landscape in China. |
