| The juxtaposition pattern of temples and schools refers to the phenomenon of juxtaposition of Confucius Temples and schools in ancient Chinese official schools.The phenomenon of judging from the Eastern Han Dynasty to the Ming and Qing Dynasties is a high-level summary of the overall pattern of ancient official studies."Temple" is Confucius Temple,which is a Confucian gene in the pattern of temples.It bears the function of worship and worship,and is a ceremonial place."Study" is the school of learning,which is the functional body space in the pattern of temples and aiming to educate people.In the Ming Dynasty,on the level of ritual system,the discussion of the relationship between Confucius and his father’s sacrifice in the temple study became increasingly fierce,and reached a climax in the Jiajing Dynasty,prompting the emergence of the architectural form of "Qisheng Temple".The layout and construction strategy of Qisheng Temple under different temples and patterns reflects the architectural orientation and respect for the people in the temple.“Qisheng Temple”were renamed “Chongsheng Temple”,and its begun to change the location with“Mingluntang” and “Zunjinge”.This phenomenon and the reasons behind the phenomenon are less concerned.Based on the study of the temple pattern,based on the analysis of a large number of temple studies,combined with ancient literature and image files,this paper analyzes the temple pattern from the historical events,cultural connotations,planning orientations and functional flow lines.The motivation for the integration of the temple pattern has emerged,revealing the influence mechanism of the Qichen(Chong)Sheng Temple on its layout and spatial structure,and providing an important theoretical basis for fully understanding the development mechanism of the juxtaposition pattern.The first chapter of the paper discusses the basic objectives and content of the research.The second chapter is an overview of the juxtaposition of the temples,the formation of the sacred sacredness,and the development history,focusing on the restoration of historical events and the induction of cultural aspects.It mainly includes:tracing the formation process of the juxtaposition pattern of the temple,paving the way for the development of the text;trace the formation and development process of Qisheng(Ming)and Chongsheng(Qing),and analyze its from birth to respect based on the cultural level.Historical motivation.The third chapter mainly analyzes the important value of Qi(Chong)Shengluo to its pattern from the perspective of planning and architecture.It mainly includes: the analysis of five types of collocation space types in the temples;the choice of orientation relationship in the initial establishment of Qishengyi(Ming)under the five types of temples,and the choice of the orientation of the construction of Chongsheng(Qing);The spatial relationship between Qi(Chong)and the central axis sequence of Dacheng Hall and its relationship with respect.The fourth chapter compares the flow of the temples from the Ming and Qing dynasties from the perspective of the streamlined activities of the temples,and analyzes the historical motives of the Ming Dynasty and the Qing Dynasty from the perspective of functional use.The thesis explores the positional changes of the "Qishengyu" from the birth and the name "Chongsheng",and reveals the reasons for its establishment and change.On the one hand,it is determined by the concept of the ancient father and son.It is closely related to the definition of the function of “museum” and “study” in the temple activities,and it also has a certain correlation with the orientation of the ancients,the concept of life and death,and social etiquette.The full text of the study of the sacred sacred ancestral relationship in the study of the temple provides a more detailed empirical analysis of historical materials and more in-depth theoretical research results,which is of great value for the study of the field of omniscience. |
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