Study On Living Space Form Of Architecture In Late Ming Dynasty

Nowadays,with the rapid development of social exchange and global culture,as well as the network times for the convenience of information,each country and national culture,aesthetic present convergence,lifestyle,etc.In this process,a large number of western architectural theories and architectural languages poured into China,bringing new architectural and spatial forms,enriching the traditional architectural system and being highly praised by the Chinese;most of the interior furniture furnishings and scale modules are designed according to western aesthetics and ergonomics,which are full of our daily life and working environment.While accepting these Western cultures,more and more young architects began to pursue the localization architecture,trying to show the national characteristics by analyzing the history and culture of China for thousands of years,so as to make it continue and develop in the architectural level.The ancient traditional residential buildings in China are in perfect agreement with the mountain spring and trees.follow the natural building concept,It is unique in architectural form and expression in the world.In the entire history of building our country,the culture of the Ming Dynasty garden occupies a very important position in Chinese garden history research,especially in the late Ming Dynasty literati landscape most prosperous,Ming dynasty furniture is reached its peak.Literati participate in gardening activities,with the help of mountains and rivers,flowers and trees,fish and stone,etc.,to express their own character and sentiment in the garden artistic conception.The space environment and comfortable living state created by the literati are worth learning from and learning from contemporary people.There are numerous works on the theory of ancient traditional garden design,among which the most representative works in Ming Dynasty are Yuanye,Superfluous Things,Kaopan Yushi,Zunsheng Bajian,and in Qing Dynasty,there are Xianqing Ouji and so on.These records of landscape architecture,ranging from Xiangdi site selection,piling mountains and stones,to furniture,calligraphy and painting tools,flowers,trees,fish and water,which provide an important basis for the study of garden and architectural design.At present,there are several kinds of comments on the literature research of "Superfluous Things",which involve gardening thought,design aesthetics,creation principle and furniture design,but the research on the living space form of "Superfluous Things" needs to be explored."Superfluous Things" records a large number of landscape living space in various architectural components of color,style selection,furniture,furnishings style comments and placement,these indoor space functional elements all play an important role in the construction of indoor space form.This paper attempts to study the daily living space form of gardens in the late Ming Dynasty through the landscape works of "Superfluous Things".Through the length of various creation details,design aesthetics and aesthetic taste described by Wen Zhenheng,combined with other literature works,poetry and paintings in the late Ming Dynasty.Sorting,summed up the living space in the late Ming dynasty garden architecture elements and expression,and building space to recover intuitive way to show the form of the living space of the late Ming Dynasty,even its expression of the traditional cultural artistic conception.