Research On Character Modeling Of Bronze Mirrors In Jin Dynasty In Jin Shang Jing

Jinshang Capital Huining Mansion is located in Acheng District,Harbin city,Heilongjiang Province,China.It is the capital of the early Jin Dynasty founded by Jurchen in northeast China.As the first capital of Great Jin Dynasty,Shangjing of Jin dynasty existed for 38 years from the founding of Aguda of Wanyan to the destruction of the city by King Hailing,and had a profound influence on Jinyuan culture.Many works of art with the characteristics of jin Dynasty art have been found in Jinshangjing area,among which the bronze mirrors of Jin Dynasty have varied shapes,exquisite decorations and are well preserved.The decorative patterns of bronze mirrors provide a lot of practical information for the study of the art,history and culture of the Jin Dynasty.Through these silver gully iron lines,we can intuitively feel the charm of the jin culture.From the perspective of iconology and semiotics,this paper analyzes the characteristics of the figure modeling and the pattern composition of the bronze mirror in Jinshangjing area,so as to sum up the artistic style of the figure modeling in the Jin Dynasty and the problems that should be paid attention to in the practice of the figure modeling of ethnic minorities today.This paper is mainly divided into five chapters,which are introduction,development context of Jinshangjing Huining Mansion,The story mirror of Jin Dynasty characters unearthed from Jin Shangjing site,the graphic analysis of the story bronze mirror of Jin Shangjing character modeling and the cultural implication of Jin Shangjing character modeling.The first chapter,the introduction,mainly describes the reason for choosing the topic of this paper,the current research status of domestic and foreign experts and scholars on the bronze mirror with characters and stories in Jin Shangjing,and also briefly describes the research methods such as iconography,semiotics,and history used in this paper.The second chapter is mainly to sort out the historical context of the Jinshangjing Huiningfu area,and by expounding the development of the Jin Dynasty in this area,thus summarizing the influencing factors of the bronze mirror characters in the Jin Dynasty.The third chapter mainly classifies the bronze mirror figures of the Jin Dynasty in Jinshangjing area according to the subject matter through the materials at hand,and expounds the characteristics of the bronze mirror figures of the Jin Dynasty under different themes.The fourth chapter is the image analysis of the figures in the bronze mirrors of Jinshangjing and Jin Dynasty,expressing the artistic expression and aesthetic characteristics of the figures in the bronze mirrors of the Jin Dynasty.Through the analysis of the line shape of the figure,the overall composition characteristics and the situation of the figure,the artistic characteristics of the figure in the bronze mirror of the Jin Dynasty are summarized,and the comparison with the figure in the bronze mirror of the Song and Liao Dynasty is carried out.This concludes the simple and natural features of the bronze mirrors in the Jin Dynasty.The fifth chapter is an analysis of the symbolic meaning and cultural connotation of the bronze mirrors in Jin Shangjing and Jin Dynasty.The character shapes and decorative patterns of the Jin Dynasty all reflect different symbolic meanings.The character modeling of the bronze mirror in the Jin Dynasty also reflects the strict feudal hierarchy of the Jin Dynasty society,and also reflects the diverse integration of the three cultures of Confucianism,Buddhism and Taoism.