Visual Language Study On The Paper Cutting Art Of Yiwulv Mountain

With the rapid development of the social economy,the pace of globalization has become more and more rapid,and the distance between people has been continuously brought closer by technology.Correspondingly,urbanization is becoming more and more serious.People have lost their self-confidence and sense of belonging in the blind worship of the West.The gradual loss of the uniqueness of one's own nation has led to the blurring of geographical labels and the confusion of people's identity.In the northeastern part of China,the protection of ethnic culture in Liaoning Province is worrying.The construction of ethnic culture in most regions has remained at the surface culture of cultural facilities construction and cultural activities,and has failed to realize rural villager identity recognition at the psychological level.And the collective memory of the countryside,the deep construction of culture has long been in the desert state of cultural innovation.In 2006,the paper-cut art of Yiwulv Mountain in Jinzhou North Town of Liaoning Province was listed as a national intangible cultural heritage.The art of Yiwulv Mountain's paper-cutting art preserves the richness of the Northeast Shaman culture by symbolizing the living customs,emotional experiences and religious beliefs of the Manchu people.Faced with the preservation and continuation of the history and culture in the paper-cutting of the Yiwulv Mountain,and the revitalization of the current environment has become a key issue to be solved,this topic will discuss the necessity and practical significance of semiotics in the study of visual language of traditional folk art.By drawing on Susan Lange's relationship between abstraction,illusion and emotion in the process of artistic creation proposed by Susan Lange,he is from the four levels of art abstraction,artistic illusion,emotional expression and life form.The visual language of the paper-cut art of Yiwulv Mountain is deeply discussed.It aims to explore the rich connotation of the traditional paper-cutting visual language and to provide the possibility of multi-level and multi-level emotional experience of the illusion of paper-cut art language with the help of virtual reality technology.This article includes three aspects of research: first from symbolic to art semiotics,combing and summarizing Susan Lange's art semiotics;secondly,analyzing how the art of witchcraft and paper-cutting art as an art symbol through abstract forms,illusions,emotions and The form of life to express visual language;finally,through the reconstruction of the art of witchcraft and paper-cutting through virtual reality,explore how the new media art can be expressed as a expressive artistic language in the process of spatial remodeling,and re-grant the space illusion of paper-cut art with time.The dimension of the stretch,and experimental visual language design practice.