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A comparative study of college students' musical aptitude and musical preference in the United States and Taiwan

Posted on:2008-07-25Degree:D.M.AType:Thesis
University:Arizona State UniversityCandidate:Wang, Jui-ChingFull Text:PDF
GTID:2445390005956469Subject:Music
Abstract/Summary:PDF Full Text Request
The purpose of this study was to examine U.S. and Taiwanese college students' musical aptitudes and musical preferences for six musical styles: Western classical, Chinese traditional, American pop, Taiwanese pop, jazz, and world musics. Samples of each style established by experts were reduced to 36 items, six excerpts from each. Subjects (N = 517) were recruited from the U.S. (n = 335) and Taiwan (n = 182). Stratified random selection procedures produced 160 U.S. and 160 Taiwanese subjects, with four training level groups of 40 subjects from each nationality: music majors, non-music majors with high musical training, non-music majors with medium musical training, and non-music majors with low musical training levels.; Subjects' musical aptitudes were measured by Gordon's Advanced Measures of Music Audiation (AMMA). Musical preferences were demonstrated by two investigator-designed verbal preference methods: the Musical Stimuli Test (MST) and the Verbal Musical Preference Rating (VMPR), and one behavioral method: the Report of Ownership of Musical Collections (ROMC). Reliabilities of the AMMA (r = .61 to .82) and of the MST and VMPR (Cronbach's alphas = .60 to .92 for the six styles) were acceptable for all instruments.; The major findings of this study were the following: (a) nationality, musical training level, and their interaction were related to subjects' musical aptitudes and verbal and behavioral preferences across the range of six styles; (b) musical aptitude was positively related to subjects' verbal and behavioral preferences across the range of six styles; (c) familiarity was significantly related to subjects' verbal and behavioral preferences for all six styles; (d) strong correlations between the MST and VMPR for all six styles suggested the high validity of these two instruments; and (e) low correlations among the MST, VMPR, and ROMC across the range of six styles showed that ROMC was a valid indicator for those styles.
Keywords/Search Tags:Musical, Six, Across the range, Preference, MST, VMPR, ROMC
PDF Full Text Request
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