The Production And Interpretation Of The TV Program "The Troubles Of Car Hiring"

There are three writing backgrounds in this thesis.The first one is the need of the Chinese TV industry that has developed for more than 60 years and seeks for breakthroughs in the current media environment.The second is the need for the development of the sharing economy at home and abroad to seek social governance.The third is the need for innovation in the creation of television's own creative thinking.This article is strictly speaking the author's TV program "About the troubles of the car"(including advertisements for 30 minutes)broadcasted by the Shaanxi Radio and Television News Channel on August 5,2017 at 22:35-23:05.The editorial interpretations made by the director.In this editorial creation and interpretation,the author of this series "The Trouble of a Vehicle" produced by the editor,videographer,and post-professional assistant in the section "Helping a set" explains the clues,and uses a viewpoint of a TV director to master TVs in a large number of lessons.Media theory,television media technology,film and television aesthetics and other related disciplines theory and director,editing,post-production,video and other practical skills based on.In the content of the program,because the topic of this program is the network about the car,it is a new type of taxi and carpooling mode that has been spawned in the"sharing economy" field in recent years.Therefore,the author introduces the economics community to the "sharing economy".The authoritative research results to the program's pre-planning process can enable the author to set aside chaos in the "lost way" to find the real existence of the current Chinese network business activities in the area of social interaction,of course,this is the TV media viewers are most concerned about of.The use of television editors to transform their works into mass media aims to trigger a new review,concern,and reflection of the new business model of "shared economy" in China's current social governance,social legal construction,and social consumption patterns.In terms of production of the program,the author will focus on the five directions in the production of the program to fully explain the program.One:Cross-type"misplacement" in artistic style and the change of audience power model.This section focuses on the presentation of the performance styles experienced in the "Helping a set"program in television practice and the innovative ideas of flexible "mashups".It also explains the changes in the power model between TV shows "Helping a Set" and its audience..Second:The exploration of "three-dimensional writing".This section explains the "three-dimensional writing" creative process and experience that the program was trying to write in the early stage,and makes a theoretical review of this practice.Three:The division of work and cooperation between the production director and the work team.The production stage is divided into a studio recording stage and an external film production stage.This section explains how the choreographer and the various types of work uses wheeled communication model in the column group are completed.The detailed work flow of the various types of workers during the production phase.Four:Multi-style and multi-level audiovisual arrangement.In the later stage,this part mainly consists of the narrative viewpoints of various parts of the program during the editing process,the application of audio-visual language,the arrangement and synthesis of video "sentences" and "paragraphs",and the combing of audio and video as a symbol in the program.V:Analysis of the feedback after the broadcast of the program.Through the study of the "Help has a set of ' many programs,especially the "Victims of Car",the ratings and market share after the broadcast,summed up the viewing rules of the program and the aesthetic taste of the target audience,and the future in the production of programs The direction to explore.