A Study Of Modern Women's Images In Movie Posters Of The Republic Of China

The period of the Republic of China is not only an important stage of the transition between the old and the new,but also an embryonic stage of the development of the Chinese film industry.Moreover,the female images in the film poster design of this period were widely used,especially the modern women.The modern female image design in the film poster of this period had a unique expression of connotation.Therefore,this topic with the most representative modern women this type of in-depth research.This paper mainly uses semiotics and other methods,through the case analysis of a large number of posters,to explore the relationship between modern female image design and social ideology at that time.Starting from the historical background of the birth and development of films and posters in the Republic of China,this paper sorts out the development context of film posters and classifies the types of modern women.: second to the poster "modern women and family model" three kinds of image analysis,the three kinds of scheme design recovered in the process of the development of modern material civilization,the social change of aesthetic consciousness,sex concept,deliver the men according to their will and imagination of female either physically or mentally ideal design,reveal the control of women in the patriarchal society.In a word,the poster design of this period with the theme of modern women always revolves around the deep-rooted idea of male center.Finally from "modern female and society: the image of" critical analysis of female students from the progress of knowledge to the fashionable young woman of complex changes with contact and build,the fashionable young woman image of the female students in the period of the movie poster with the image of the modern girl is difficult to identify,it gives the connotation of the advanced image in the image of "the fall" gradually faded.The change of the female image design,related to the change of social ideology in this period,once women beyond the prescribed limit range in the patriarchal society,then resist criticism by men,it also suggests that the male predominance in the women's liberation during the period of the republic of China on the road to gradually break conventions,began to show ego the phenomenon of the feeling of fear and uncertainty.