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On The Peking Opera Elements And Performance Interpretation Of Zhang Chao's Piano Music "Pi Huang"

Posted on:2021-03-14Degree:MasterType:Thesis
Country:ChinaCandidate:Y X HuFull Text:PDF
GTID:2435330629951019Subject:Music
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This article based on Zhang Zhao’s piano piece "Pi Huang" as the research subject,which consists of three parts: introduction,main body and conclusion.Introduction: Explain the reasons and writing ideas of Zhang Zhao’s piano piece "Pi Huang".Main body:Chapter 1:Brief introduction of composer Zhang Zhao and his piano musicSection 1:Zhang Zhao’s personal profileZhang Zhao,was born in Yunnan in 1964,is currently a professor composition at the Minzu University of China,a Master’s tutor,and a national-level composer.He is one of the most active composers in contemporary China.He grew up in the Honghe area of Yunnan,and was influenced by the multi-ethnic music culture of Yunnan,which inspired him to create music in the folk music field.In 1987,he graduated from the Department of Music of the Minzu University of China with two majors,which were composition and piano performance,and stayed in teaching in his school.Meanwhile,he followed the professor Wenjing Guo and graduated with honors from the master’s degree class of the Department of Composition of the Central Conservatory of Music in 1998.Section 2:Briefly description of Zhang Zhao’s piano music and main works Most of Mr.Zhang Zhao’s creations are based on national culture and folk tones,combining nationality and personality,and in music he longs for authenticity and freedom.His music creation genre is eclectic and extensive.In recent years,he focus on piano works,and the number and quality of piano works has been continuously improved.Currently,his piano solo works are divided into six categories: "Ancient Collection","Earth Style Collection","Diary Collection","Nature Collection","Adapted Collection" and "Children’s Collection".Chapter 2:Briefly description of the creative characteristics of the piano piece "Pi Huang".This chapter describes the creative characteristics of the work through three aspects: the first section introduces the background and influence of the piano piece "Pi Huang";the second section introduces the structure of the work through the analysis of its style and the plate changes;the third section explained from the perspective of the melody,rhythm of the work,the Peking Opera elements and the special notations.Chapter 3:The interpretation of "Pi Huang"This article will focus on analyzing the specific performance and processing aspects of "Pi Huang" by combining the spectrum examples.Based on the musical analysis of the work by the predecessors,this article makes a more comprehensive explanation of the performance of the work.The first to the sixth section,combined with my own performance practice,made a detailed exposition of the performance techniques of the work.The seventh section summarizes the key points of the performance from three aspects: pedal,rhythm and tone.Chapter 4:Brief description of differences in Musical notationThe final chapter of the thesis combined with the music examples to make a careful comparative analysis of the music score version,which is also the innovation of this article.This is the content that the related literature has not studied before.
Keywords/Search Tags:Zhang Zhao, Pi Huang, Peking Opera elements, Plate changes, Performance interpretation, Musical notation
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