| This paper takes the Qian hexagram tablet as the research object,and it is divided into three parts to study the personified image in the Qian hexagram tablet.The first part mainly introduces the interactive dialectical relationship between the development of Chinese character symbolization and pictorialization.It includes the relationship between Chinese characters' image and symbolization from the origin of Chinese characters' character creation,the relationship between Chinese characters' image and symbolization from the principle of Chinese characters' character creation and calligraphy creation in later generations,etc.The first part comes to the conclusion that the visualization and symbolization in today's calligraphy creation are endowed with the status of "legitimacy".No matter the generation of Chinese characters or the subsequent calligraphy creation,symbolization and visualization are two core elements.They change with each other in different periods and under different circumstances,but the so-called change is also the proportion of the whole which accounts for more More than absolute opposition.For example,oracle bone inscriptions are mostly pictorialized,but they also contain symbolization;for example,cursive script is the result of the peak of the development of Chinese character symbolization,but it still contains pictorialization.The second part is the key chapter of this article.By analyzing the particularity of Qian Gua tablet and its image characteristics,and comparing the former generation seal script works of Qian Gua tablet with other seal script works of Li Yangbing,we can get a comprehensive understanding of the style characteristics of Qian Gua tablet,and then we can get the conclusion that Li Yangbing's other seal script is mainly symbolic,while Qian Gua tablet is mainly image The third part,taking the figure image as an example,describes the application of image in Qian Gua tablet and its inspiration and influence on seal script and contemporary ink. |
PDF Full Text Request