Graphical Expression Of Contemporary Chinese Painting Reserch

Since the middle of the 19th century Europe since the invention of photography, images appear gradually replaced the easel painting spread and the function of record, the status of painting was squeezed, on the other hand, also promoted the development of diversified painting, painting and image also changed, the relationship between development on the process of image in painting. The fifties and sixties of the 20th century the emergence of pop art, melting the painting and the boundaries of the image, near the public becomes popularization, and thus the fusion of art and life. In today’s high-speed information age, digital imaging, media of Internet and multimedia of numerous and complicated changes, ads, pictures, movies and other common to build a great image of the world, And along with the rise of mass culture universal consumption, in this era of image, the image of the production and consumption, spread and accept prompted us to watch the image and painting, great changes have taken place in terms of image and painting, due to the impact of the image on the easel painting, painting in the context of this era also turned to a different degree of landscape visualization(part of alternative refused to "image", this article does not discuss), after the development of Chinese contemporary painting different image expression, such as:western pop art, close the camera is hyper-realistic, Richter after the picture painting and so on the deep influence of "image" thinking of contemporary Chinese painting is in constant after breakthrough, this line is also increasingly clear image strategy, wang anyi, zhang xiaogang and others have practiced the graphical way, promote the rapid development of Chinese painting visualization performance, after painting to explore practice, also produce all kinds of forms of expression of different style.Painting through the "image" strategy in response to The Times, having endured a mimicked and integration process, is also a painting resistance-image-after the process of painting, reflect their own value and significance. But "visualization" is also a double-edged sword, it is adapt to The Times development and the present people recognition of the graphic, but as a result of graphical representation itself has a certain sense of graphic, together with the mass culture and mass media, the quick impact brought by the popular, Blindly copying its graphic surface makes some artists, schematization, modeled and commercialized, and drawing the emergence of the problem such as the loss of the "graphic" blind also creates works of "image" or image sight reading, but the "image" is not shown, visualization performance more than images of the "graphic", this kind of situation has prompted us to re-examine visualization, examining the relationship between image and painting.In this paper to study the painting of visualization in, know its general development process, combined with the feature of era view visualization in the painting and the development status of the pros and cons of problems, in order to study the presentation and thinking on the use of the image material as the main body, to investigate the relationship between the painting in the era of image and image. And painting for image reference use should be the image of a kind of transcendence, rather than blindly follow era and meet the demand of mass culture and technology, Should be a kind of eclecticism, bring out the best in each other’s attitude, this paper should be a "how to use" rather than "how to draw" thinking. In the study of "visualization" formal language, visualization of beyond the image quality and pursuit of manual painting sex is a reflection of its internal structure, and beyond the "image" is the significance of contemporary Chinese painting visualization performance.