| Still life in bottles and jars is the main subject of Italian painter Giorgio Morandi.It is through these simple "things" that Giorgio Morandi achieves spiritual transcendence.Here,things are not functional and practical things,but from the expectations of people’s pragmatism,become the thing itself,become Giorgio Morandi art practice method and spiritual expression of the instrument.The materiality of things,that is,the emptiness of things,that is,the infinite possibility of things.Giorgio Morandi finds his inner order in the dialogue with things,he conveys the invisible inner spirit through the visual image of things,and thus,the object becomes the carrier of the artist’s metaphysical spiritual pursuit and presents a unique state of being.Giorgio Morandi explored abstract forms through concrete "things",and with these near-abstract representations of color,image,space and so on,the infinite possibilities,the real existence of objects and objects around the space environment and other factors in a comprehensive reconciliation,from a plane point of view to manage different objects and different parts of the specific position of the relationship,as well as the spatial pattern of the picture,to create a simple and serene image.In his observations of nature,Giorgio Morandi ensured that the visual form of the object and the surrounding space represented the connection and inner presence of the object in the warm gray air,make the picture reveal a kind of detached spirit state like Zhuang Zhou’s dream butterfly.This paper attempts to interpret the uniqueness and realm of Giorgio Morandi’s paintings from the perspective of the materiality of things,and to analyze rationally the artistic process and style changes that he has gone through as an artist,this paper analyzes the reasons and features of the formation of Giorgio Morandi’s artistic style,and expounds his artistic value and spiritual significance from the angle of art history and philosophical cognition. |