Research On The Characteristics Of Yang Liping's Dance Creation

Behind the belief crisis and spiritual dilemma in the 20 th century is people’s deep suspicion of the supremacy of scientific rationalism,which reveals the restlessness and uneasiness from the depth of consciousness,which urges Chinese contemporary artists to tend to explore the spiritual values of traditional philosophy,national culture,life significance,etc.,and solve the uncertainty brought about by the complicated modern and contemporary cultural fog by tracing the source Gain a sense of identity.However,the realization of this goal inevitably requires the creative subject to completely and deeply intervene in life itself,and then support the concept of subject with unique artistic expression,so as to obtain effective group identity of aesthetic object.It should be said that the mission and self-consciousness of "art carries Tao" reflected in the whole process also promotes the artist’s self-confidence and independent character.Among them,Yang Liping,as a typical representative of contemporary Chinese dance performing artists,has the characteristics of "going to college" and "nationality" and "subjectivity".She has forged the aesthetic style of Yang’s dance through 50 years of continuous artistic practice--Taking the national cultural soil born in Si Chang Si as the root,the aesthetic principle with strong subject cognition as the coordinate,and the new aesthetic principle as the coordinate Technological change and market demand are the adjustment yardsticks,and the artistic innovation journey of integration,leaping and gradual evolution is continuously pursued.In addition to the impressive emotional interest and unique artistic aesthetics,the large-scale communication caused by Yang Liping’s brand effect is unparalleled in terms of space and time.The great success in communication promotes the artistic innovation,which forms a positive interaction between "conforming to the aesthetic needs of the public and innovating and enriching artistic forms".From actor,director,art director to team manager,Yang Liping’s role in different stages is also a process from rational "Disenchantment" to unconscious "Reenchantment".Yang Liping’s unique way of success,in a sense,represents the highest point of the development of contemporary Chinese dance art,and also causes people to reflect on the way of creation in the discussion of value.Based on the systematic analysis of the typical characteristics of Yang Liping’s dance creation,this paper starts from the case study to think about dance creation,dance operation and dance culture,puts contemporary Chinese dance creation into a broader historical and cultural context to distinguish,and examines the cultural ecological environment of contemporary Chinese dance creation from the Perspective of globalization.The first chapter focuses on combing Yang Liping’s early art accumulation,starting from her owncultural and ecological environment,and then from the experience of Yang Liping’s dancers,elaborating her performance experience in Xishuangbanna Dance Troupe,and then from the transfer into the central national dance troupe as the turning point,explaining Yang Liping’s personal art choice and walk from two aspects of training system and ideological impact An opportunity for independent editing and creation.Finally,it focuses on Yang Liping’s small works of "unity of expression and creation",and summarizes the style features of Yang Liping’s small works from the image,action and artistic conception of the works.At the same time,the author thinks about the concept of "original ecology" and interprets the concept of dance art behind Yang Liping’s dance phenomenon.The second chapter focuses on the important characteristics of Yang Liping’s dance art creation techniques,based on her self challenging art creation process.From the form and structure of dance,dance image,the choice of dance vocabulary,the development of cross-border cooperation between different subjects,etc.The first section is about the feelings of the birds,taking the dance drama peacock as an example,to elaborate the innovation of the traditional Dai Peacock dance vocabulary and the image transformation of the traditional Dai Peacock dance.The second section is about the change of the Sparrow: Taking the dance drama "ambush on all sides" as an example,the details of the dance drama are studied and discussed respectively with the artistic embodiment of love and eternity,"moving" and "feeling".The third section is the realization of the bird: Taking the dance drama "the sacrifice of spring" as an example,the paper analyzes the meaning of metaphorical design of dance beauty device systematically,and also reflects the collision results of different creative subjects from the products of cross-border cooperation.The fourth section is about the fantasy of birds,taking the dance drama Pingtan image as an example,from two aspects: the interweaving of surreality and magic,and the multi line excavation of cultural heritage,some inferences about the "Imagism school" are formed.In the third chapter,the author will focus on the artistic essence and pursuit of Yang Liping’s dance creation.Throughout Yang Liping’s overall creative career,as an evergreen in the dance industry,the uniqueness of "Yang’s" style is not only a concern for the art noumenon,but also a practitioner of the internationalization of oriental dance art form,and also a promoter of the dissemination of Chinese dance art.Therefore,in the first section of this chapter,in the form selection of art noumenon,the two themes of "the relationship between art and emotion" and "the experience of art and life" are used to express the artistic attitude towards life sentiment.From the expression of subject consciousness and the exploration of humanistic spirit,the discussion of value andsignificance is summarized.In the second section,from the perspective of aesthetics,the author discusses the innovation of Oriental cultural image from two aspects: Chinese traditional philosophy and aesthetics,and western modern and contemporary aesthetic logic.The third section discusses the cultural value and social value of Yang Liping’s works.Finally,in the conclusion part,the author focuses on the development of contemporary dance drama creation,and explains the contemporary art concept behind Yang Liping’s artistic creation.