On The Line Expression And Practice In The Creation Of Ink And Wash Figure Paintings On Tibetan Subjects

Chinese painting is profound and profound.Since the founding of the People's Republic of China,paintings on ethnic minorities have been highly regarded by many painters.Tibetan painting is a gem with distinctive features in the history of modern and contemporary Chinese painting.A large number of artists with ethnic sentiments went deep into the Tibetan area,and vividly expressed the living conditions and spiritual outlook of Tibetan compatriots through their paintings.As a professional master,during my undergraduate and postgraduate studies,I went to Qinghai,Gannan,and other Tibetan areas for internships many times,and became very interested in the unique geographical environment,religious culture,and cultural features.In this thesis,I chose to take the line representation in the creation of Tibetan ink and wash figure painting as my research direction.Based on an overview of the history and current situation of the creation and research of Tibetan ink and wash figure paintings,this thesis attempts to analyze and study the performance characteristics of some representative Tibetan ink and wash figure paintings since the founding of New China,with a view to The relevant features of line expression in Tibetan-themed ink and wash figure painting works are briefly summarized.In this thesis,I will also combine my internship experience and related research on the line performance of Tibetan ink and wash figure painting to guide my creative practice and describe the creative process and thought process of my Tibetan ink and wash figure painting in detail.On the basis of researching and exploring the meaning and influence of the lines on the picture,solve the problems encountered in the creation,and reflect on the shortcomings in the creation.