Exploring The Body Language Of The Han Dynasty Portrait Scarf Dance

As the carrier of the history of the Han Dynasty,Han portraits bear the intuitive and perceptible historical image of the society of the Han Dynasty.As a kind of props dance in the folk music and dance of Han Dynasty,towel dance is loved by the people of Han Dynasty for its beautiful and gorgeous dance posture and complicated skills,which also affects the development of music and dance art of later generations to a certain extent.Today,although the dance entity of the towel dance no longer exists,the existence of the Han Dynasty portraits has retained the intuitive and perceptible dance image for us.We can explore the body expression of the towel dance through dance images and related literature records.Therefore,according to the body language of the image of towel dance,supplemented by iconography and ancient literature,this paper analyzes the body language of towel dance from four aspects:First,the context of body language provides the field of existence for the occurrence of towel dance,which makes us clear "where to dance";second,on the basis of limiting the context conditions,the language form of towel dance is the external conditions that can be identified in many music and dance arts,which makes us clear "who to dance and how to dance";third,after having the recognizable language form conditions,we enter towel dance At this level,the semantic expression of "what to dance" is mainly displayed,and then what kind of meaning expression is implied;fourthly,the body language of "towel dance" is developed in the "communication" of people's viewing and self entertainment in Han Dynasty,and the functional expression is realized.Therefore,the pragmatic level emphasizes that the realization of dance function needs "communication" among societies.Therefore,this paper attempts to make up for the loss of the research on body language of Han Dynasty portrait towel dance,and provide the theoretical basis of body language level for the realization of the transformation of Han Dynasty portrait towel dance from two-dimensional image to four-dimensional dance works,so that the reconstruction of Han Dynasty portrait towel dance can be based on evidence.