The Practical Rationality Of "Chinese Painting Dance Experiment Performance"

As part of the 2016 year practice of postgraduate of Beijing Dance Academy teacher workshops "Han dance repetition and practice of rational reconstruction > this research project-" the Han Dynasty Portraits dancing performance experiment ",with five plays concentrated show the ideas and results of the present reconstruction.The research team rely on image and document literature,try to use Han Dynasty Portraits dancing to expand the physical experiment,which through experiments constantly reflect on body language in Han Dynasty Portraits dancing,consistent with the narrative text of Han Dynasty dance context,this is a useful chance for Chinese classical dance to identify their own historical and cultural orientation.This thesis is to test the performance of "the practical and rational analysis section,consists of five chapters.The introduction part introduces the origin and forming process of experimental performances.The main parts from the" image "," linguistics "and" narrative "in three aspects.First of all,the experimental performance based on the image classification description,interpretation of the selected typical image symbol,metaphor and value,explain the preparation stage of the experimental performance-image activation operation;second,analysis the dance body language to the experimental performance,describe from the two-dimensional space to four-dimensional space,the comprehensive expression of dance and its modes of music,dress,tooling and etc.Thirdly,the logical composition of the five dance texts of the experimental performance is interpreted,then,expounds the background of Chinese traditional dance culture behind the narrative of dance body.The conclusion is discusses the future orientation and related development of experimental performances.