The Literati's Aesthetic Consciousness In The Landscape Poems And Paintings In The Wei And Jin Dynasties

The landscape aesthetics in the Wei and Jin Dynasties played a very important role in the history of landscape aesthetic art in China.It foreshadowed the germination of ancient landscape aesthetic art.During this period,natural landscapes were not simply beautiful landscapes for the scholars,but they also contained the complexity of the beauty and emotions of the literati art and used to reflect the sadness of the troubled world.Metaphysics,one of the most important doctrines of this period,is the main promoter of the landscape spirit.Since the Wei and Jin Dynasties,people gradually turned to respect for Buddhism,and Buddhism has increased the beauty of landscape from the traditional moral level to the spiritual realm and the meaning of life.This article analyzes the aesthetic art of landscape paintings of the Wei and Jin Dynasties.It can not only explore the influence of ancient landscape paintings on Chinese culture,but also realize the source of inspiration for modern landscape paintings.This article deals with interdisciplinary research.Therefore,in this study,the study combines historical literature research,and uses text analysis,analogy deduction,theory connection,practice and other methods to raise and change the aesthetic consciousness of the Chinese people in landscape paintings of the Wei and Jin Dynasties.The presentation was conducted in more depth.This study is divided into five major parts: The first part is introduction.It mainly expounds the reasons for selecting the topic and the significance of the research.It also discusses in detail the research status of the topic and summarizes all the data as reference for the study.The second part is the social and cultural background of the Wei and Jin period.This paper analyzes the social background of the military invasion and the integration of Hu and Han in the period of Wei and Jin Dynasty.It also points out the transformation of human algae in the Wei and Jin Dynasties and the cultural background of the awe-inspiring and reclusive wind.This will lay a social and cultural foundation for the further exploration of the literati landscape aesthetics in the Wei and Jin Dynasties.The third part is about the rising and changing of the literati’s aesthetic consciousness in the landscape paintings of the Wei and Jin Dynasties.This is the core content of this article.It discusses in detail the rise of landscape poetry and landscape painting and the aesthetic character of literati in the Wei and Jin Dynasties through the landscape poetry and painting.At the same time,it further expounded the whole process of changing from the pioneering to the rich and mature aesthetic consciousness of landscape literati.The fourth part is the presentation of the aesthetic consciousness of the Chinese people in the poems and paintings of the Wei and Jin Dynasties.This chapter is also the core chapter of this article.From the three expressions of natural beauty,social beauty and artistic beauty,the aesthetic consciousness of landscape poetry and painting is displayed.The fifth part gives a general overview of the landscape aesthetics of the Wei and Jin scholars.This chapter explores the landscape aesthetics consciousness of Wei and Jin literati from three aspects: nature,life and society.The sixth part is the conclusion.A summary of the study of the full text,while pointing out the deficiencies of the study,as well as the future of related research.This research has certain innovations in terms of research perspectives,research methods,or research content.The first is the innovation of the research perspective.At present,there is no monograph devoted to the aesthetic consciousness of landscape paintings in the Wei and Jin Dynasties.There are only a few rare articles and journal articles that discuss the relevant fields.The research in this paper will include landscape poetry and landscape painting.The fusion of art forms hopes to see the changes of the literati’s aesthetic consciousness from the aesthetic appearance of landscape poems and landscape paintings in the Wei and Jin Dynasties.Second,it is the innovation of research methods.In this study,the author uses a combination of textual analysis,analogical deduction,and theory-linked practice to study the aesthetics of landscape painting in Wei and Jin Dynasties.The last part is the innovation in the content of the study.This article focuses on the relationship between landscape,poetry and painting in the Wei and Jin period.Most of the previous studies only studied landscape poetry or landscape painting.