Analyzing Saito Kiyoshi's Artistic Development Trajectory From The Oriental Taste In His Prints

The development of Japanese traditional art in the long river of history is not an instant.Japan,which has always lived on an isolated island,has constantly absorbed foreign cultures,made new use of its past,and acquired many talents.Through practice,it has gradually formed a cultural and artistic form with its own national characteristics.This article will take the study of Saito prints as a guide,settled in the development of Japanese Oriental interest.This paper analyzes the development of the whole artistic development of the Great Oriental Interest and its influence on the development of Japanese traditional art.The purpose of studying this topic is to refine the Oriental taste in Saito Qing prints and deeply analyze the influence of Oriental taste in Japanese traditional art.And the evolution of Oriental tastes in various eras.Through the study of Saito Kiyoto's small individuals,combing Saito's artistic development trajectory,it is intended to analyze the artistic development trajectory of Oriental interest,and then make it fit for the theme,and clarify the influence of Oriental interest on the development of Japanese art.Comparing the different forms of art between China and Japan,the Chinese Tang Dynasty and the Japanese birds,Nara,and Heian periods,as well as the Ming and Qing woodcuts and Ukiyo-e periods,were selected to demonstrate the mutual influence of Chinese and Japanese art in the Great Eastern environment.Comparing Saito's printmaking works with those of Ukiyo-e period,it is intended to analyze the influence of Ukiyo-e's art form on Saito's art creation.Then compare it with Western art and analyze the influence of Western art on Japanese traditional art.The rich "homesickness" atmosphere revealed in the works was refined and sublimated,and compared with the traditional "homesickness" in China,demonstrating that "Oriental tastes" affect each other under different artistic environments in China and Japan.Analyze the emotional sustenance behind Saito Qing's printmaking,and compare it with the same emotional expression in Chinese Oriental Art,and analyze the relationship and influence between the two.Finally,by combing out the influence of Saito Kiyoshi on modern painters,we demonstrate the influence of Oriental taste on Japanese traditional art and its penetration throughout the development of Japanese art.