Intertextuality Research In Yu Hua's Creation

The theory of intertextuality was born in 1966,first proposed by kristiva,and then developed through in-depth studies by Roland barth,genet,rifathiel and others,forming two major paths of ideology and poetics.Intertextuality theory highlight the text and other text,text and rules,the interaction between text and readers,especially in the poetic form path its operation significance for literary research,it with the concept of relatively conservative,around the generation and interpretation of literary meaning on the text before the text characters,plot,structure style,the prototype motif,genre,style description,code convention,and many other factors,transformation and imitating,developed a careful and thorough analysis of the system,and opens a new field for the traditional literature study.Yu hua is an important writer in the contemporary literature.In 1986,he caused a great sensation in the literary world with "going on a journey at the age of eighteen".In the 1990 s,"crying in the rain" opened up a new narrative mode,and the author began to turn his perspective to real life,to show compassion and great humanity with his pen.Yu hua from death and violence to life and suffering,from old to new era,from a child lost to adults struggle,from the reference for good writers,to the imitation of music narrative in this journey,yu hua’s writing showed a clear line of intertextuality,for longitudinal in intertextuality,text for the transverse outside intertextuality,crisscross,warp/weft,together constitute the landscape of yu hua’s fiction intertextuality.The theory of intertextuality opens a wider space for the interpretation of yu hua’s works.First of all,this paper divides yu hua’s literary creation into essay creation and novel creation.The intertextuality reflected in the repetition of yu hua’s real events and scenes in the novel has a certain positive significance to understand the deep psychological mechanism in yu hua’s creative process.Secondly,this paper will focus on the recurring themes and plots that constitute intertextual relations in the novel works,so as to dig out the hidden human survival situation and picture revealed by the author’s intention in the overall creation,but contained in a single article.Thirdly,the writing of any work is inseparable from the imitation of his text.The concept of "imitation" was put forward by genette and belongs to the category of trans-textual nature theory.In his essays,yu hua has written in detail music works and classic literary works he imitates and borrows,such as music narrative structure and writingskills of classic works.These contents guide and enrich the creation of yu hua’s novels,which is a very good perspective to study his works.