Research On The Opera Activities Of Suzhou Literati Group In The Late Ming And Early Qing Dynasties

The phenomenon of literati aggregation is an important literary phenomenon in the Ming and Qing Dynasties.In recent years,the research on the phenomenon of literati aggregation has been paid more and more attention by the academic circles.The research on literary family,literati association,and literary genre can be regarded as one of the phenomena of literati aggregation in-depth discussion.Howerer,the introduction of the concept of "literary group" in this paper is an attempt to summarize the phenomenon of literati aggregation at the time.This paper intends to use the "late operas of the Suzhou literati group in the late Ming and early Qing dynasties" as the time orientation,with Suzhou as the geographical orientation and "drama" as the activity positioning to show One aspect of the phenomenon of the literati aggregation in the Ming and Qing Dynasties.The thesis is divided into six chapters.The first chapter will carry out the background of the Suzhou literati group opera activities in the late Ming and early Qing dynasties from the regional cultural background,literati association,family literary group and literary genre group of the Suzhou literati group.The second chapter discusses the interaction between the literati group and the artist,from the literary group,the typical case of the literati group,the literati group and the professional artist's interaction.The third chapter discusses the opera view of the Suzhou literati group in the late Ming,early Qing and early Qing dynasties.From the three aspects of the mountain forest song fair,the garden song fair and the temple worship song,the literati group's drama activities are discussed and studied.The fourth chapter discusses the performances of the Suzhou literati group in the late Ming,early Qing and early Qing dynasties,from the two aspects of the singing and singing friends and the appearance of the film.The fifth chapter discusses the opera creation of the Suzhou literati group in the late Ming,early Qing and early Qing dynasties.It discusses the three aspects of the interaction between creation,collaborative creation of scripts and cooperative revision of the script.The sixth chapter discusses the drama criticism of the Suzhou literati group in the late Ming,early Qing and early Qing dynasties,from the two aspects of the evaluation of opera and the theory of opera.The seventh chapter discusses the complex mentality of the Suzhou literati group participating in the opera activities in the late Ming,early Qing and early Qing dynasties,which are discussed from the perspectives of the late Ming dynasty in the Suzhou literati group opera activities and the complex mentality of the literati group in the early Qing Dynasty.The eighth chapter discusses the significance and value of the opera activities of the Suzhou literati in the late Ming,early Qing and early Qing dynasties.It was expanded from the perspective of the literati group's promotion of the aesthetics of the opera and the construction of Kunqu's character,and the construction of the literati group and its cultural character,obviously,the two complement each other.