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The Musical Image And Performance Of The Zheng Song "Linquan"

Posted on:2020-06-20Degree:MasterType:Thesis
Country:ChinaCandidate:Q SunFull Text:PDF
GTID:2435330575993492Subject:Arts
Abstract/Summary:PDF Full Text Request
Zheng song "Lin Quan" is one of Mr.Ye Xiaogang's representative works.Its title is inspired by Guo Xi's landscape painting theory monograph "Lin Quan Gao Zhi Ji".In his creation,the composer integrates his aesthetic thought and life thinking into the Lin Quan's realm.He longs to be close to nature to achieve the spiritual realm of harmony between man and nature,which reflects the Chinese traditional culture.In the process of playing Lin Quan,the performer recreates the music image with the composer's thought based on his own artistic accomplishment,life experience and professional skills.The performance of Zheng music belongs to the process of second creation.It is not the accumulation of notes or the mechanical deduction.Only when the performer expresses it accurately and vividly with his own understanding and emotional experience,can he achieve the effect of both form and spirit.This paper mainly discusses the music image and performance performance of Zheng Song Lin Quan from four aspects:music image and performance performance performance,music form analysis of Lin Quan,music image analysis,music image performance performance.The first chapter briefly summarizes the definition of music image,lists the factors that affect the formation of music image,including external conditions,performer skills and performer's own understanding.The second chapter starts with the analysis of the music form of Zheng's "Lin Quan",including the analysis of the composer,the background of Zheng's creation,the tonality of the mode and the structure of the form.It is intended to elaborate that a profound understanding of the work itself is an important prerequisite before learning and performing the work.Chapter 3 divides the song into five specific image forms,namely,the "Dinsdong Spring","Accumulation and Play","confluence rivers","Pentium into the sea" and "Transforming into the horizon".Chapter Four discusses the five image problems from the perspective of performing methods,and the image of "Dingdong Spring" is expressed by long arpeggio sounds;the image of "sathering and frolicking" is expressed by the change of timbre and the use of breath;the image of "confluence rivers" is expressed by the fast fingering and changing rhythm of the right hand;and the image of "running like the sea" is expressed by the richness and weakness of the rhythm,as well as the column and style.String pitch is expressed by color;the image of "turning into the sky" is expressed by long swing and left hand scraping.In the performance,the five images are balanced and interrelated to each other to form a vivid image of spring water,so as to achieve the ideal performance effect.
Keywords/Search Tags:Lin Quan, musical imagery, performance
PDF Full Text Request
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