Lyrical Exile

The 1940 s is an extremely important existence in the history of contemporary Chinese literature.The strong invasion of war culture into the field of literature has prompted the literature to make corresponding adjustments in the subject content and language form.Therefore,some writers changed their original styles in the face of the tide of The Times and showed their concern for the current situation and compromise of popularization in their creation.Xu Chi issued the declaration of "exile lyricism" in 1939,which urged him to devote himself to the new spirit of The Times,and gradually eliminated his pure poetic feelings in his subsequent works,showing a trend of getting closer to the public poetics.Xu Chi’s change before the turbulent times was a very representative existence in the 1940 s.In order to show that Xu Chi echoed The Times and "banish lyricism",this paper mainly sets an introduction and three chapters to complete the research goal.The introduction mainly summarizes the reasons for the topic selection and the current research status at home and abroad,and expounds the importance of "transformation research" and "1940s research" in the study of modern and contemporary Chinese literature,as well as the rationality and feasibility of "transformation research in 1940s" by Xu Chi.The first chapter of the paper carefully examines the specific presentation of xu’s transformation in the 1940 s.By comparing xu’s works before and after the "exile lyricism",it is not difficult to find that Xu Chi left the bondage of "jiangnan town" and "Shanghai city" and showed a trend of expansion in the theme content of his works.In terms of language form,Xu Chi changed his pure poetic style of the modernist school and showed a trend of popularization to cater to the masses,which was an important embodiment of his pursuit of popularization in his writing style.In addition,xu chi’s transition is characterized by the "negation of negation" which transcends the era.The transition of poets from the modernist school to the popular school of poetry is notaccomplished overnight,which is full of hesitation and repetition,reflecting the poet’s prudent poetic thinking.The second chapter of the thesis mainly discusses the inducing mechanism of Xu Chi’s transformation,that is,to answer "how did the lyricism go to the road of exile?" The problem.The transformation of Xu Chi not only covers the causes of the transformation of general writers--the temptation of The Times,the deepening of communist thought,but also reflects his own characteristics,that is,the heroism created by the absence of his father and the everlasting spirit of his father during his growth.The third chapter mainly inquires into the cost and significance of Xu Chi’s transformation.On the one hand,Xu Chi’s exile of lyric road created the scene of flying reportage,and his attempt to reconcile poetic beauty with the trend of popularization in the field of poetics embodied the wise thinking of the responsible literati without losing the pure poetic feelings.On the other hand,Xu Chi’s hasty departure from the modernist school in the chaos of The Times also cut off the possibility of his own growth into a mature modernist poet.The separation in the middle of his youthful talent is a great pity on the way of pursuing Chinese modernity.At the same time,the poet’s renunciation of lyric in the forties also announced the dilemma of the rest of life,the plight of the poet in his old age,the sense of disillusionment,and the destructive ending of the leap from lyric road.Through the analysis of the above three chapters,all-round display Xu Chi change before and after the ’40 s Incentive cost and meaning,the author hope through Xu Chi personal transformation to spy out big creation subject under the time background of rheological condition,examination in the social responsibility of intellectuals and artistic pursuit of choice between the two dimensions and position,and then participate in the 40 s of war culture have a more in-depth understanding.