Research On The Family Phenomenon Of Female Painters Of Changzhou School Of Painting In Qing Dynasty

Throughout the history of ancient Chinese painting,it is undoubtedly a male-dominated painting history,in which female painters can only hide and occasionally flash.Until the Ming and Qing Dynasties,women’s painting had flourished,and boudoir women became the mainstream of painting in the Qing Dynasty.At this time,there appeared a group of female painters in Changzhou,who were all from famous families,proficient in calligraphy and poetry,and expressed their boudoir interest through calligraphy and painting.When the female painters of Changzhou Painting School co-emerged as family units,the phenomenon of female painters of Changzhou Painting School becoming family was formed.This article attempts to take the female painters of Changzhou Painting School as an example,put the study of women in the ancient boudoir under the family background,analyze the characteristics of female painters’ familiarization phenomenon,find out the causes of the formation of female painters’ familiarization phenomenon,approach the real state of existence of female painters through the familiarization phenomenon,so as to deeply analyze the artistic creation characteristics of women in boudoir.The first chapter,before entering into the discussion of the phenomenon of female painters’ familiarization in Changzhou School of Painting,first of all,it is clear that the phenomenon of familiarization in a family is a family sexual tendency composed of male and female members,not a single gender group of women The phenomenon of female painters’ familiarization in Changzhou School of Painting is based on the whole of each family.Secondly,in the process of family development,as the core figure of the family,the grandparents or fathers played the role of inheritance of family science.Among them,Yun Shouping was the most central figure in Changzhou Painting School,because he was not only a creative figure in Changzhou Painting School,but also a member of Yun’s family.The female members of other families spread through male members who learned boneless flowers from their families.He became a member of Changzhou Painting School.Thirdly,the family development process is based on a certain geographical basis.Ancient traffic barriers and family learning paradigm are more likely to have an impact within the family and benefit the female members of the family.Chapter two focuses on how the female painters of Changzhou School form the phenomenon of familiarization.The inheritance of family members from generation to generation has formed a certain inheritance system.Meanwhile,a good family cultural tradition has created a relaxed learning atmosphere for female painters.In addition,after the MingDynasty,the society has emphasized the influence of democratic and independent trend of thought.Male members are more open-minded towards female painters.The above three points are the reasons for the formation of the phenomenon of female painters’familiarization in Changzhou School.Finally,it discusses the characteristics of subject matter and artistic style of female painters of Changzhou School of Painting under the influence of the phenomenon of family,each family presents its own artistic characteristics.It can be seen that the phenomenon of familiarization has a direct impact on the expression of women’s art.In view of the simplicity of the learning ways of ancient boudoir women,the phenomenon of familiarization has played a promotive role in the development of women’s art.However,it reveals the drawbacks of the family model and Chen Xiangyin’s artistic style,which hinders the further development of female art of Changzhou Painting School.