Seventy Years Of Research On New China's Literary Aesthetics

In the late 20 th century,the concept of "literary aesthetics" proposed by the innovation of Chinese scholars opened a new prelude to aesthetics and literary studies,and laid the foundation for the development of other similar disciplines.On the basis of combing the history of Chinese literary aesthetics from 1949 to 2019,the article will study the literary aesthetics of each period by dividing the different periods,and evaluate the new Chinese literary aesthetics from different levels.This article has a total of five chapters.In the introduction part,the author will briefly comb the concepts related to literary aesthetics to deepen the understanding of the background of this topic.Secondly,it analyzes the significance of the subject research from the perspective of theory and reality,and believes that it can form a new cognition of the subject with the detailed combing of the history of Chinese literary aesthetics,reflecting the value of "truth,goodness and beauty".Finally,introduce the common research methods applicable to this paper,and provide better ideas for studying literary aesthetics.The first chapter discusses the emergence of literary aesthetics and its development connotation,analyzes the origin and background of literary aesthetics,analyzes the conceptual categories of literary aesthetics and the uniqueness of literary aesthetics,and thus demonstrates the necessity of studying literary aesthetics.The second chapter is based on the time points of the establishment of the discipline,studying the history of literary aesthetics for the whole seventy years,and combing the development of new Chinese literary aesthetics in each period from the vertical perspective,using this as a benchmark to study the new Chinese literary aesthetics for Seventy years of thought.Thethird chapter combs the development characteristics and ideological connotation of the new Chinese literary aesthetics in different periods.From the perspective of Chinese modern and contemporary aesthetics,this paper explores the literary aesthetics from 1949 to 1966,focusing on aesthetics and literary aesthetics.The content,find the essence of literary aesthetics,and lay the foundation for the next study of the content of literary aesthetics.In the part of the period of literary aesthetics in 1979-1990,the background was that the theory of literary aesthetics before the 1980 s did not form systematic research,mainly related to the political and social environment at that time,ignoring the independence of aesthetics and literature,rarely Concerned about the "self-discipline" and relative independence of literature and aesthetics.Based on the above reasons,after the "literary aesthetics" proposed by Hu Jingzhi as an independent discipline,after nearly forty years of research,literary aesthetic researchers in various periods have made efforts to become independent disciplines.The author focuses on the basic theoretical construction of literary aesthetics and literary aesthetics,deepens the understanding of beauty,and re-recognize literary aesthetics from the perspective of artistic aesthetics.Then in the development period of literary aesthetics in 1990-2019,due to the reform of China’s social economic system,aesthetic research gradually appeared marginalized,but influenced by the generalization of aesthetic studies in the 1980 s,the study of literary aesthetics in the 1990 s The study of the tendency of aesthetics turned to the study of cultural theory,paying more attention to the aestheticization of daily life,and more and more towards popular culture.The author analyzes the reasons for the change from the aesthetic theory of the 1980 s to the cultural theory of the 1990 s and the literary aesthetics after the transformation,focusing on the representative views put forward by the representatives of this period.Finally,from the perspective of epistemology,the author evaluates the70 years of literary aesthetics.It is necessary to use dialectical methods to look at the development of literary aesthetics.It is necessary to draw on the favorable side of Western aesthetics to the development of Chinese literary aesthetics,but also to pay attention to literature and art.Before the establishment of the aesthetics discipline,it had the aesthetic thought of literary art,and created a distinctive literary aesthetics discipline.At the same time,it must be combined with the current era to improve the significance of literary aesthetics in social development and develop "human literature";Combine literary aesthetics with the world,collide with aesthetics,and develop more distinctive literary aesthetics.