Before The Theory Of Mao Dun's Literary Aesthetic Thoughts

In twentieth Century the Chinese modern literature is present a splendid sight, theemergence of a large number of excellent writers, they not only have made greatachievements in literary creation, and there are abundant, very valuable insights in literarytheory and aesthetics, Mao Dun is a among them. As a literary art masters, Mao Dun not onlycreated a number of classic literary works, and has written many articles on literary theory.The article not only involves the creation of literary and artistic problems, and relates to theproblem of a large number of aesthetics, literary aesthetics, literary characteristics, the artisticvalue of standard problems, are illustrated.Through this research, collation and mining of Mao Dun’s theory of text, with his literarycreation, with a unique perspective, to explain his literary aesthetics, his exploration of theaesthetic characteristics of literary theory, research and his exploration of literary aesthetics,aesthetic value standard. This paper thinks, Mao Dun is the overall view of literature, literarybeauty lies in the harmony, originality is the literary character, authenticity is the onlystandard for literary creation. On this basis, he puts forward "neat","tuning","form andcontent to be harmonic", free, fresh,"Ecstasy","practical" reproduction and a series ofimportant theoretical proposition.Based on the deep analysis on Mao Dun’s literary aesthetic thoughts, so as to reveal MaoDun great theoretical contribution and value in the aspect of literary aesthetics, showing MaoDun thoughts of utilitarian and profound, which for the current literary activities especiallythe artistic creation of the main melody can play an important role in the van, show Mao Dunis indispensable in modern aesthetics, literature system status, and look forward to theApocalypse to contemporary literature, value.