The Narratives Of Mainstream Chinese Blockbusters Have Evolved Since The New Century

With the advent of the new century,the country’s political context,socialeconomy,and international environment are constantly changing and developing.The domestic film production continues to improve,and the film market presentsa diversified development trend.Taking into account all of these factors,wehave reached the realization that mainstream movies are of great significanceto the construction of national image,the display of national spirit and thetransmission of values.The mainstream blockbuster on the basis of it has beengiven many new semantics in the new century,and creative production andtheoretical exploration have gradually entered the audience’s vision.Themainstream Chinese blockbuster conveys the Chinese spirit in a film-like mannerand becomes a type of film that keeps pace with the times and conforms to therequirements of the times.The mainstream blockbuster not only uses the newcentury as the background of the times,but also is the builder of the new eracontext.This not only conforms to the operating mechanism of commercial filmsin the context of industrialization,but also fits the imagination of the currentmainstream ideology about the national ideology.With the rapid development ofthe Chinese film industry,China’s mainstream large-scale market continues toexpand.The massive investment in capital and the frequent cooperation oftalents from all regions in the international perspective have pushed China’smainstream blockbusters into a stage of prosperous creation.Before discussing the mainstream narrative evolution in the new century,the article first expounds the research background and significance of the thesisin the introduction.Based on the views of well-known researchers at home andabroad,the paper defines the concept of mainstream blockbuster,and finallysummarizes and analyzes.The current research situation at home.Then,fromthe perspective of the evolution of China’s mainstream large-scale narratives inthe new century,this paper explores the manifestations of the evolution ofmainstream masses and the reasons for the evolution of narratives,and then analyzes the aesthetic value and significance of mainstream Chinese blockbusterssince the new century.The first chapter of the thesis examines the manifestation of the mainstreamnarrative evolution from the multi-dimensionality of the theme expression,themulti-level of character shaping,and the diversification of image style.Themainstream blockbuster since the new century has broken through the barriersof the single-level narrative of the revolutionary historical theme films,and hasopened up a diversified theme expression.Moreover,the shaping of thecharacters constantly conforms to the psychology of the current audience,so thatthe narrative content reflects the characteristics of popularization.The types ofsubjects in China’s mainstream blockbusters have also expanded to a wider rangeof categories,and the image style has also presented a variety of characteristics.The second chapter summarizes and discusses the causes of the mainstreamnarratives through the dissemination of mainstream values under the socialappeal,the influence of multiculturalism on the audience’s aesthetic needs,andthe continuous innovation of the film marketing model,so as to grasp thedevelopment trend of mainstream blockbusters as a whole..As a cultural form,mainstream blockbusters,in addition to their own large investment,largeproduction,big marketing,and large market business model,should also reflecttheir dominant position in national culture and have a certain leading role insocial development.And greater influence.And the mainstream blockbusterssince the new century are not paranoid about certain cultures,but are the mosteffective integration of the current regional cultural resources,and constantlyupdate the marketing model of the film under the "Internet +" new mediaenvironment.The third chapter further explores the aesthetic value and significance ofmainstream Chinese blockbusters from the perspective of national imageconstruction and international space display,the expression of Chinese cultureunder the background of globalization,and the positive aesthetic guidance of the audience.In the context of the “Belt and Road”,the film carries an importantmeans of spreading Chinese culture and shaping the image of a big country.Inthe system of integrating symbiosis,the new mainstream blockbuster provides aglobal dialogue space,showing the greatest degree to the audience.Adapt andrespect to meet the expectations of the audience.In addition,mainstreamblockbusters should reflect the subjectivity of their aesthetic values and provideaesthetic value to the audience.Only in this way can we reflect its mainstream inthe contemporary market and generate greater economic benefits.The conclusion part deeply analyzes the development limitations of themainstream blockbusters since the new century,and makes recommendations onthe development of mainstream blockbusters based on existing problems,discusses the dilemmas in value orientation and external communication,andhow the mainstream Chinese blockbusters are in the new century.In the era ofthe film market,"going out" and other issues,look forward to the futuredevelopment trend of mainstream blockbusters.Through the above research,Ihope to provide some thoughts on the development of China’s mainstreammainstream movies in the future.