Research On The "History" Phenomenon Of Xu Can's Ci

Xucan is the most important female lyricist in the late Ming and early Qing dynasties.Xucan was the most important female lyricist in the late Ming and early Qing dynasties.Xucan lived in Yumingqingyidai and experienced a double change between home and country.Bright happy life suddenly degenerates into a miserable struggle in a painful reality.Like Du Fu,she drifted under the iron hoofs of the war and felt the sorrow of the people with the feelings of the Confucian;Record wars,make up history,and criticize historical figures with the style of historians;Analyze the internal causes of the defeat with the pattern of politicians;The deep national complex records the sadness of the people in the late Ming Dynasty after the land was lost;Her word is the carrier of history.Her feelings are worried about the country and the people.Her ambition has already surpassed the woman’s feelings of the court and has risen to the National righteousness,either to stick to it,to return to it,or to repent,to bear the shoulders of the nation with a weak body..The poems written by her in her life,"The Poems of the Humble Political Yuan" and "The Poems of the Humble Political Yuan," all have historical responsibilities.In addition to the introduction and conclusion,this article is divided into three chapters,of which the second chapter is the key part and the third chapter is the second.The first chapter "historicalization" phenomenon spirit connotation and cause.Because "historicalization" did not form a conclusion.Therefore,it is necessary to define the concept of "historicalization" in this chapter.By distinguishing between "poetics" and "historicalization","historian’s word" and "poet’s word",the concept of "historicalization" is defined.And through the interpretation of the "historicalization" of the spirit of the phenomenon,clear "historicalization" in this article’s concrete performance.Finally,it explains the phenomenon of "historicalization" in the works of the lyricist,which is due to the result of the joint action of the lyricist’s loyalty and Yidai in the Ming and Qing dynasties,and reveals the subjective and objective factors formed by it.The second chapter "historicalization" strengthens the poetry function.The phenomenon of "historicalization" in Xucanci is not a straightforward expression,directly pointing out specific historical events,but through the common methods of poetry,such as allusions,metaphors,bixing,thorn,and metaphor.Whether it is to restore the historical truth,to review the historical pattern,or to praise historical figures.This kind of poetry function integrates historical themes into the creation ofwords,making the function of poetry strengthened.The third chapter "historicalization" analysis of the characteristics of the phenomenon.The phenomenon of Xucanci’s "historicalization" should not be limited to "recording facts in the history of poetry" and making up for the flaws of historians."It should also be expressed as a concern for the people of history,that is,the spirit of pro-elegance.In addition,historical facts may not necessarily directly describe specific historical events,and the characteristics of the times can also be reflected by changes in the mentality of the characters on the side.The theme selection of ethnic contradictions and the consciousness of the people not only showed the war scenes at that time,but also showed the feelings of the Confucian scholars.This is another aspect of the "historicalization" of the word.Therefore,this chapter explores the characteristics of its "historicalization" phenomenon through three aspects: the embodiment of the pro-elegant spirit,the change of the history of the heart,the National contradictions,and the consciousness of the people as new contents.