A Study On The Dance Style Of "People's Dance Notation" In "The Complete Book Of Music"

In the Book of 《Complete Book of Temperament》,Zhu Zaiyu said that "people dance is the basis of dance".It means that "human dance" is the basis of learning dance,so this paper takes "human dance score" as the research object,starting from the basis of Zhu’s dance theory,to study the dance model of "human dance score".Zhu divided "Dance Studies" into "Ten Discussions" and explained it from ten aspects of the content of Dance Studies.This paper inherits the division of Zhu’s dance system and interprets the main body of the article as "body" and "non-body" in accordance with Zhu’s Confucian "Neo-Confucianism" spirit of putting people first.Based on Zhu’s quotation of classics,the original historical features of "Man Dance Score" in Ju’s Dance Studies are textually studied through the literature study of "Ten Discussions on Dance Studies" in "The 《Complete Book of Temperament》".This article is divided into four chapters.Firstly,in the introduction part,it mainly focuses on the related discussion of the subject,including the reasons for selecting the topic,the current research situation and so on.The first chapter defines the relevant concepts of the main body of the study and the ontological exposition of the research object,including the author,creative background,development and evolution of the book.In the second chapter,starting from the three discussions on dance studies,around dance studies,dancers and dance names,the author makes a historical textual research on Man Dance Score in the Book of Music and Law.Chapter three is a non-body dance learning model.Starting from the intuitive form of human body,it makes textual research on the body extension of dancers,dancing clothes and elaborates Zhu Zaiyu’s point of view in detail.Chapter Ⅳ is the exploration of the body’s dance learning paradigm.It clarifies the visual form and cultural representation of Dance Score for Man from three aspects: dance watch,dance voice and dance appearance.The fifth chapter is the rational reproduction of Dance Score,which combines the rational analysis of Dance Score reproduction with the practical results of Dance Score reproduction.This study mainly prepares for the stage rebuilding of Man Dance Spectrum,provides the corresponding theoretical support for the stage practice of Man Dance,and hopes to provide a reference for the theoretical and practical research of ancient dance culture at present.