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A Study Of Aesthetic Concepts In Zhu Zaiyu's "The Complete Book Of Music"

Posted on:2021-10-31Degree:MasterType:Thesis
Country:ChinaCandidate:M D LiuFull Text:PDF
GTID:2515306308455184Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Through the comprehensive application of literature research method,interdisciplinary research method,functional research method and other research methods,this paper classifies and analyzes the relevant historical materials,ancient books and dance music score images of Zhu Zaiyu and his book,so as to make an all-round consideration and investigation on the aesthetic concept in dance science of Zhu Zaiyu’s music and temperament complete book.Through the understanding of Zhu Zaiyu’s life and the background of the book,as well as the aesthetic concept formed under the background of his era and ideological origin,this paper analyzes the content of the aesthetic concept in the dance of Zhu Zaiyu from three aspects:"body oriented","body and mind integration" and "cultivating one’s moral character";taking "yuelv Quanshu" dance as an example As the core content of aesthetic concept,"Zhuan" in academic thought is embodied as "body beauty under ritual and music culture" and "body beauty under natural operation";according to Zhu Zaiyu’s theoretical research method and academic attitude of "quoting ancient system first and attaching new theory later",it is concluded that his aesthetic concept has the function of "ritual and music education,self cultivation and moral cultivation" and "seeking for material wealth" "There are two significant characteristics of practicality.Thus,it can be seen that the aesthetic concept in the dance studies of Zhu Zaiyu is the inheritance and development of Chinese traditional cultural thoughts,and is also the inevitable product under the influence of Confucianism.Therefore,it has important theoretical value and practice to explore Zhu Zaiyu’s Dance Studies from the perspective of his aesthetic concepts,as well as the inheritance of contemporary traditional music and dance culture and contemporary dance education Practical significance.This paper is mainly composed of two main chapters:the introduction and the main bodyIn the introduction part,the research reason,significance,current situation and research methods of this paper are briefly summarized;The first chapter of this paper mainly combs and introduces Zhu Zaiyu’s life and the importance of music and temperament book,analyzes the significance of "dance" and defines the concept of "aesthetic concept";The second chapter mainly explores and analyzes the origin of the aesthetic concept in Dance Studies of Zhu Zaiyu’s yuelv Quanshu from two aspects:the era background and the ideological origin;The third chapter is the main part of this paper.The author tries to find out the characteristics of the aesthetic concept by combing the content of the aesthetic concept in the book of music and music:"the beauty under the culture of rites and music" and "the beauty under the operation of nature";The fourth chapter summarizes the characteristics of Zhu Zaiyu’s dance theory according to the content of the aesthetic concept in the book of music and music,and analyzes the contemporary value of the aesthetic concept in the dance science of the book.The author hopes that through the preliminary exploration of the aesthetic concepts in the dance studies of Zhu Zaiyu’s the complete book of music and music,the author hopes to open up a "gap" in the study of ancient music and dance aesthetic concepts by modern scholars with their own meager strength,so as to provide theoretical reference and practical enlightenment for the construction of Chinese dance culture.
Keywords/Search Tags:Zhu Zaiyu, yuelv Quanshu, Dance Studies, ritual music culture, aesthetic concept
PDF Full Text Request
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