| C(iè¯ï¼‰of the Song Dynasty is a musical literature. From the view of music,Ci(è¯ï¼‰is a byproduct of the development of feasting; from the literature that is also anewly created combination of poem, song and dance. Poetry of the Song Dynastyabout dance produced in life of cultural and entertainment which is leisure andexquisite and is accustomed to literati. This paper describes the dance in NorthernSong Dynasty of Ci(è¯ï¼‰as research subject, and at this view to try to make a studyand a comprehensive analysis and discussion about the Northern Song Dynasty literatidelight in life.The present thesis is composed of five chapters in all.Introduction section briefly describes the overview of the dance of the C(iè¯ï¼‰in Northern Song Dynasty, its research status in the last two decades, and thesignificance of the topic.The first chapter describes the dance in the C(iè¯ï¼‰of Northern Song Dynasty,divided into three sections.The first part is mainly talking about the image beauty ofthe maiko from dance of sight, hearing, smell, as these three areas.The second part willdo detailed division about dance content depicted in dance of Ci (è¯ï¼‰,respectively,from the dance gesture, dance waist, dance sleeves; solo dance, groupdance; song and dance together; and the poem dance alone. These four aspects will beused to analyzed dance description in Ci(è¯ï¼‰. The third part, through method of caseanalysis, taking Kou Zhun and Yan Shu as two individual case,and to investigate theNorthern Song Dynasty literati like and taste on dance and feast in their life.The Second chapter, literati taste are embodied in the dance of Ci(è¯ï¼‰, isdivided into four section. The first section is combined living conditions of theNorthern Song Dynasty literati do its diversity of amenities to in-depth analysis. Thesecond section is study of poems`aesthetic taste about maiko and their danceperformances from the aesthetic perspective.The third section begin with the Songdynasty literati, talking about their experiences of living in exile,and their indifferent elegant taste and no care of living in exile; Then talking about their romantic interestin life from another type of poem’s enjoyment of life. The forth quarter,analysesliterati worldly taste at the point of Song Dynasty people’s value of life which pursuitsof wealth,worldly pleasures and ingratiation sing values of life.The third chapter,the creation and dissemination of the dance of Ci(è¯ï¼‰, isdivide into two section.The first section trough which analyses the literati creativedance of Ci(è¯ï¼‰of Song Dynasty in different environments, to further discuss adifferent kind of zest for life of the literati in some places where are happy and filledof taste of secular. The second section regard maiko who are media of dance of C(iè¯ï¼‰as the research target,combined with maiko`s living behaviors and condition todiscuss their roles and influence in the creation and dissemination of dance of C(iè¯ï¼‰.The conclusion is summarized the full text. Through detailed analysis ofdance in the Northern Song Dynasty’s Ci(è¯ï¼‰, readers can understand the NorthernSong Dynasty literati diversity of temperament and interest in their daily life.Differentambient interact with poets and kabuki provides a good place for creation anddissemination of dance of Ci(è¯ï¼‰. |