The Significance Of "virtuality" Performance To The Nationalization Of Musicals

The musical has been introduced to China since the 1980 s,and the unique aesthetic experience and audio-visual enjoyment have set off a new wave of watching in China,which has been well received by the audience and the media.Along with the musical development of this western art form in China,also inevitably encountered in the process of creation nationalization issue,namely the creation of ethnic style,to meet the needs of Chinese audience aesthetic works of art.Throughout the musical development course in China,has experienced from the initial play classical musical works abroad,to create musical with national characteristics,and then to a historic breakthrough in China’s original musical,it can be seen that the Chinese traditional opera art the positive impact on China’s musical creation.By absorbing the relevant theories and practices of musical nationalization,the author constantly innovates to lay a solid foundation for the actual research and creation.This paper proves the creation process of "Fan Yi",based on the creation of Chinese original musical works with strong national style.The author from the audience’s aesthetic characteristics,the selection of subjects,the overall artistic conception,the actor’s characters,stage design,integration and use of works of "virtual" technique were analyzed,and to create conform to the Chinese audience aesthetic demand of excellent musical works to provide some ideas.