A Study On The Ancient Chinese Zheng People And Their Zheng Music Activities

Zheng,which belongs to the Chinese national musical instrument,has a history of nearly 2,000 years.Its development is closely linked with the social and historical backgrounds of ancient Chinese rites and music systems,folk customs and other social and historical backgrounds,and converges with the concepts of political economy,philosophy,and aesthetic culture.Although there are no literary monographs in ancient Chinese music history,there are a large number of historical materials concerning zither that mainly reflect the existence of zithers in three fields:the personal identity creation with distinct social identities and the continuation of conventions.Strong social genre activities and frequent interactions with literati groups.Therefore,the universal diversity of the status of ancient Chinese zithers is derived,and the evolution of zither music is also closely related to the historical position of erhu people,and it is also a step.According to professional and social status,the zithers can be divided into three categories:the literati doctor group,the court family cadres and zombies group,and the livelihood of the city’s market sculptor.There are many ancient emperors,literati doctors and their relatives.There are four categories of palaces,palaces,camps,and cities.From the Eastern Han Dynasty to the Ming and Qing Dynasties,the guru people continued from generation to generation.Under the conventions of the orthodox music system of the dynasties,the zithers were engaged in the court zither music performances,such as banquets,music and palace organizations using zither activities,but also participated in the literary bachelor’s banquet activities,such as screening,feasting,picnicking Such scenes are also used by the folk customs to promote self-entertainment,such as restaurants,opera accompaniment,etc.,or zither-learning activities that are jointly attended by national care,inner relatives,and home-employed musicians.In the exchanges,there were no shadows of zithers.Their time spanned the period from the pre-Qin to the Qing dynasty.The communication between the ancient zither and the literati led to a number of literary works related to zither.The literati objectively recorded the virtuosity of the zither,the performance of the lyrics,the makeup,the environment,etc.,and refined the image of the zither through artistic means.It also inspired the literati’s creative inspiration by their own exile,enlightenment,and exchange,making it a perfect fusion of music and literature,reflecting the close relationship between literati and musicians.The historical development of Zheng’s music has experienced a change from a "beautiful"playing zither to a "dwelling zither" orientation image,in which both the sad emotions of others are easy to generate resonance and the ancient musicians are influenced by social history.The statute cannot escape its despicable fate.Although the zither music has passed through the"graceful ethic" prosperous history,it has not left a book in its history,in which the"unboundedness" of the body of the self-promoted zither person in the gender,stratum,and region has caused its excessive popularization.People pay special attention,and the variability of zither playing techniques makes it not only easy.to play,but also easily merges with other kinds of musical instruments and music,loses its in,dependence,and lacks the necessary conditions for a book.The Zheng people can be said to have brought about a "too unreliable" and "poor and debilitating" influence on the development of the history of Zheng.From the historical data of instrumental history,the research on the history of people is drawn out.Taking this as an opportunity,the complex history of erhu is transformed into an axis that connects musicians and musicians.It is once again an objective view of music in ancient Chinese music history.The group of people has a history of national traditional culture and can be found.