A Brief Discussion On The Appearance And Character Of Ancient Chinese Portraits

This article is a shallow combing of the ancient Chinese portrait painting,and expresses some feelings and ideas of self,and tries to see the one or two states of the painterat that time through some historical records,the names of the works that have been handed down,and the style of thepainter,in pa rallel to the paintings of the same times.Onthe creation and practice of self,to find artists at thattime how to grasp and deal with the form and spiritof portrait.Then it extends its significance and value in the current practice.O ne of the chapters in Ding Gao's book of secrets is "Qi and blood theory".I am also very inspired by myself.A very important part of the portraits of blood g as,and a part of a very brilliant exuberance,such as the underground undercurrent,which,though not bare,nourishe s the surface and is flourishing,and the butterfly birds are luxuria nt,a good portrait,a corner,a nose,a nose,an ear,a cheekbone,a forehead,a chin,a hair,sideburns,and a beard.Eyebrow,or upper lip square muscle,orbicular is muscle,masseter,or the forehead wrinkles,and so on are the basic elements,but also easy to observe themorphology,all around,the blood is particularly important,it can even activat e the whole plate.To say a person's facewithout bloodless,is not ang ry,the net weight of the blood is also stereotyped,the young man's talent radiate,the girl's face is red,the middle-aged man is fresh,the old man's b lood is fresh,the old man is still,the blood is the manifestation of the human body,the same is the guarantee of the function of the human body.It emphasizes a little,the color is not the color,the blood gas is more not.The color of red is faint,and the layers are blooming and dyed.It is natural and moist.