In The Traditional Chinese Philosophy Of The The Effect Of "Wonderful" On Ancient Painting Theory

"Wonderful" category is a core concept of Chinese classical painting aesthetics,is also an important category of traditional philosophy,in the development of the history of Chinese painting,traditional philosophy has had a very profound influence on Chinese painting art,"wonderful" contains rich content and unique value is any other category and replace.This paper takes "wonderful" as a clue and key word,combs the development and evolution of "wonderful",adopts the method of combining history and logic,theory and practice to discuss the influence of "wonderful" on ancient painting theory under the unique Chinese historical civilization,and find out the special concept of "wonderful" rolling in in The Times The cultural changes and development laws of development carried in the flow,the careful combing and analysis of its context,can better grasp the meaning of its "wonderful" in the different cultural spirit of Chinese aesthetics and the ultimate direction of the aesthetic essence of painting aesthetics contained.The category of "wonderful" in the Chinese style of classical painting aesthetics can be divided into four historical periods.First of all,in the pre-Qin and Han dynasties,"Miao" was in the category of philosophy.The painting theory had not yet been formed.At this time,the "wonderful" Lao Tzu and Zhuangzi gave it a very profound aesthetic meaning and laid the significance and style changes of "wonderful" in different generations A strong philosophical foundation.Then is the Wei,Jin,Northern and Southern Dynasties,"wonderful" began to become an independent and conscious aesthetic category;the Tang and Song Dynasties,the literati painters used the"beauty","——" —— "artistic conception";in the Yuan and Ming and Qing Dynasties,"wonderful" from "true" to "idea",from "reproduction" to"heavy" performance ";and the modern times.The context analysis of the influence of "wonderful" in the painting theory is always closely related to the style of The Times at each stage,and guides to the theoretical view of the most representative painting theorists of each era respectively Point and painting theory works,highlight the key points,and carefully excavate the deep meaning of "wonderful" beauty.In this paper discusses a large number of "wonderful" theories,the relevant philosophical views of "wonderful" theory include Laozi ’s"wonderful avenue" and Zhuangzi’ s "nine years and wonderful".The relevant painting views include Gu Kaizhi ’s "vivid portrayal","wonderful"in the Wei,Jin and Six Dynasties,Xie He’ s "vivid charm","wonderful ginseng god",Zong Bing ’s "charming way","Chang God" and "wonderful writing","beauty" in the Tang and Song Dynasties,"Jing Hao’ s" search ",and there’s "beauty between like and different" of Qi Baishi.The "wonderful—— artistic conception outside the image",which belongs to the category of literati painting,aims to And under the influence of "artistic conception",such as Wang Wei ’s "poetic",Guo Xi’ s "three distant methods",Su Shi ’s"Xiao Jian Yuan",and Ni Zan "elegant" in the Ming and Qing Dynasties,Xu Wei’ s "do not look like survival rhyme",Zheng Banqiao’s "bamboo in the eyes,bamboo in the chest,bamboo in the hand" theory,etc.It can be said that although all the theories about "wonderful" have their own priorities,they are not only influenced by the traditional Chinese philosophy at a deep level,but also have a lot to do with the own artistic accomplishment of the ancient painters,their painting practice and theoretical works.They progressive,blend and integrate each other,which reflect China together The profound understanding of the "wonderful" theory of cosmic nature and the nature of life aims to show that the ultimate direction of the artistic philosophy spirit of Chinese painting is the existence —— of the most origin of the cosmic spirit.The author expounds the painting views or theoretical propositions derived from these "wonderful" one by one,arguing its origin and evolution,so as to show the time style and change law of the "wonderful" category in classical painting aesthetics under a specific historical period.