Research On The "Wenqi" In Korean Poetry Talks In Korea

Four notes on poetry appeared in Korean Dynasty which have unity terms within literary criticism thought.The author make a systematic study on the critical discourse of "Wen Qi".First of all,from the perspective of ontology and methodology,"Wen Qi"is considered in the form of "one body and three phases".The three aspects,"author's Qi","text Qi" and "article meteorology" are clearly displayed.Meanwhile,the author makes a discussion on the connection and connection between the three aspects,and make a clear arrangement of the horizontal analysis and the longitudinal connection.As a result,we will have a more comprehensive understanding of the connotation of literary spirit in their poetic works and style with the integration of Korean humanism.In the first chapter,the author sorts out two kinds of research ideas,namely,the"focus" research represented by Mr.Guo Shaoyu,and the "synthesis" theory combined with the traditional philosophy.On the basis of this combing,following Xia Jing's footsteps to try to use the "ontology and methodology" angle to give "Wen Qi""integrated three-phase" interpretation.The perspective of'ontology and methodology"generalizes a category that can express the mode of thinking in Chinese philosophy which deeply embodies the wisdom of ancient philosophers.When discussing the theory of "Wen Qi" in Korean Dynasty,the meaning of "ontology and methodology" is carried out from the perspective of unitary research and used in specific elaboration.The"creation theory","style theory" and "ontology" which appear in the traditional research will be given a supplement.In the second chapter,the author's Qi in the eyes of Korean people is fully displayed.The first section,"Qi for body,study for use",is a study on the dimension of"author's Qi".The second section is from "external perspective".This section discusses the author's Qi in the aspects of concrete creation and the relationship with the whole article from the point of view of "Poetry comes from the heart" in more detail.The third chapter takes "Diction Qi" and "Sound Qi" as the basic visual angle.ing the pursuit of "No indentation of an axe" and "Be inclined to unmixed"from the value tendency.It can not only respond to the relationship between "Qi of text"and "Qi of author" on the vertical road,but also expound the aspect of "Qi of text" in the horizontal dimension.In the fourth chapter,in view of the particularity of the category of "meteorology",this chapter does not directly use the "ontology and methodology" thinking paradigm to sort out the discussion,but from a horizontal perspective to expand the "article meteorology" connotation in Koryo's poetry.In turn,from the four dimensions of"nature","into the literary excellence","the infinite taste" and "extraordinary power-rich meaning",the horizontal plane diagram of "meteorology" is opened.The starting point and foothold of the author's research are put into practice in the process of combing its rich meaning.In the eyes of Korean people,the author's Qi is the core of the whole "Wen Qi"theory,the "ontology",the important factor to determine the whole article.The "text Qi"and "article meteorology" is the category of "methodology".At the same time,the author tries to maintain the unity of the whole text in terms of problem consciousness and methodology.The author has neither "parallel research" nor "influence".The approach of the study focuses entirely on the uniqueness of North Korea itself.We clarifies the differences between the two while paying attention to its particularity and elucidating its individuality.