Research On Wang Qingsong's Conceptual Photography

Contemporary artists Qing-song Wang cognition about China is undergoing social transition,as leader of conceptual photography,Qing-song Wang seek inspiration from his side environment,make its work around a by things that happen around him,he and his contemporaries are face to face with these concepts,and will they and popular cultural fusion,create works to make the audience think seriously about:there is now society?Where does she go from here?Mr.Wang's work,in a wise way,offers a personal perspective on change and includes judgments and assessments of the emerging global culture.The first part of this paper is the introduction,which introduces the research background and significance of the thesis and combing the relevant literature.The first chapter of this paper introduces the concept art of rheology and concept photography,the development of the concept art and the concept of carding and characteristics summary;Focus on the definition,characteristics and development of concept photography,and try to make a summary of their views.In the second chapter of this paper,the author studies the creation form of Wang qingsong's concept photography,and studies the three aspects of the artistic background,the photographic thinking and the dramatic image making.The overall creation style of the group has a certain influence on Wang qingsong's early conception photography.He deconstructs,reconstructs and reconstructs the concept with parody,landscape and digital art,and the grand scene transfer is one of the distinctive styles of Wang qingsong's concept photography.Qing-song Wang in his dramatic works of cartier-bresson "decisive moment" theory,and he,from the perspective of historical bystanders and the participants make viewers saw the conceptual photography with news photography features.The third chapter focuses on the value orientation of Wang qingsong's concept photography works.It is mainly discussed from three aspects:one is the memory of personal experience,including Wang qingsong's childhood,the memory of youth and his analysis of the present life.The second is the realistic criticism of consumerism,the excessive infatuation and worship of western consumption symbols,and the examination of the local spiritual culture phenomenon in China.3 it is concerned about the depth of the social reality of our country,both for the women's status right thinking,also have on the current status of the contemporary intellectuals to reveal,and to the underlying sympathy and concern,the more glances at the present situation of social development,as well as the international cultural exchange Qing-song Wang forward-looking.The image of Wang qingsong's concept of photography has given the audience,how to take a position in the multi-cultural meeting,and how to live in a society under the influence of material desire,too much thinking and thinking.In this paper,the fourth chapter for Qing-song Wang conceptual photography art value,main performance for photography ontology language gave rise to new forms of creation,to promote the reconstruction of the pattern of contemporary art,in China's history of photography to inspire,to think about this a few aspects of photography education.Choosing Wang qingsong,representative of contemporary art,as the object of study,not only makes the thesis original and original,but also has a bright reality and foresight.Secondly,Wang qingsong's personal experience,theme selection,presentation content and presentation mode are important supporting forces that cannot be ignored in the development of current concept photography in China.