Research On The Narrative Space Design Of Modern Chaoshan Folk Houses

There is a saying that has been circulating in the tide for a long time.“Thin-looking species are pine and cypress,and the poor are poorly read.” It objectively reflects the hipster’s mentality of survival and development.In the tide,whether it is the large “Hundred Birds Phoenix” or the daily “Down the Mountain Tiger”,his fine features can be seen,whether it is the flat form of the house,the roof or the columns,beams,etc.are fully reflected.His cultural connotation.Chaoshan culture is also good,Chaoshan residential areas are good,whether it is from the consensus of the gods,the consensus on the young,the consensus on the enterprising spirit,it has a harmonious feature.However,urbanization makes Chaoshan residential areas face demolition,theft,neglect and other crisis.With the development of society,the material world of mankind is striding forward,but our spiritual world is slow.Faced with the cultural connotations embodied in the tidal folk dwellings and the stories and events behind them,we should continue to use these kinds of spiritual venues with profound cultural connotations and we need people to think deeply about them.This article attempts to proceed from the narrative point of view,to do a comprehensive study of the physical form of Chaoshan dwellings and perspectives outside of the physical space to understand the tidal dwellings and the stories behind them,hoping to draw on the narrative thinking and methods,and to achieve the originality of the The sustainable development of Chaoshan dwelling houses adds a ’wattage’.This article is divided into five chapters:The first chapter introduces the background and significance of the research,the background of the discipline,and the current status of related disciplines.The second chapter deals with the basic generalization of Chaoshan traditional houses and the theory of spatial narratives.It also analyzes and finds out and explores Chaoshan residential buildings.The logical coincidence between the two points leads to the study of the spatial narrative design of the Chaoshan folk dwellings.Although literature and architecture have different expressions,they have similar carriers,functions,and creative modes.Chapters 3 and 4 analyze and discuss the basic types of residential buildings,the decoration and application of space components,and the humanistic spirit,attitude,and cultural connotation behind the Chaoshan residents.The discussion mode during the period is as follows: First of all,it discusses and summarizes the corresponding spatial narrative theory,application of tactics,space construction,and decorative themes.Further summarize the corresponding characteristics of the two,and conduct comparative analysis.The fifth chapter starts with the value,protection significance and inheritance of Chaoshan dwellings.The cultural connotations shown in the story of the dwellings of the dwellings and the dwellings of the dwellings and the architectural and architectural spaces are all non-renewable resources and need us to protect and continue.Tidal dwellings are a kind of harmonious living style that has been circulated by the ancestors so far.In a certain sense,it is suitable for the needs of modern people.Therefore,protection and research are more needed.Based on the analysis and discussion above,it tries to sum up the method of constructing the thinking of Chaoshan dwellings from the perspective of narrative and considers its inheritance.It is hoped that we can make a modest contribution to the new chapters of regional architecture in the contemporary architectural space.Finally write the conclusion of this article.