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The Cultural Dimension Of Dependence And Independence

Posted on:2019-09-20Degree:MasterType:Thesis
Country:ChinaCandidate:F ZhaoFull Text:PDF
GTID:2431330542494824Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The contemporary embroidery is famous for the antique landscape embroidery and the ink-and-wash embroidery,this is the process by which the theme of traditional daily necessities develops as the subject of art appreciation.In the course of this development,what is the relationship between embroidery and painting in Yangzhou?What is the form and nature of this relationship change?This article attempts to interpret the traditional embroidery craft schemata in Yangzhou,and compared with the contemporary embroidery pattern in Yangzhou.To analyze the relationship between the traditional and contemporary embroidery of Yangzhou and painting.And then,objectively records and collate how the contemporary Yangzhou embroidery uses its own advantages to interpret the process of painting,describes the specific changes in its craft in the imitation of the attachment painting and explore the change on the pros and cons of embroidery cultural heritage authenticity.Through the analysis of the changes in the relationship between embroidery and painting in Yangzhou.Found in China traditional cultural context of Yangzhou traditional arts and crafts embroidery with the original state,their schemata have their own embroidery language,there are usually certain social functions,allegorical and symbolic nature.Although there are countless ties with painting,it is in essence a relative functional independence,there is an independent relationship with painting.However,with the change of society,the development of technology and the shrinking of the traditional embroidery market,Yangzhou embroidery gradually moves towards the road of art appreciation.Making the paintings by needles into embroidery,it is a form of complete attachment to a painting.It is found that the contemporary Yangzhou embroidery attachment painting is a social necessity,and also a phenomenon of technological alienation.It is this alienation that continues the vitality of Yangzhou embroidery from the traditional to the modern.In the context of the intangible cultural heritage,the schemata and technology of Yangzhou embroidery have advantages and disadvantages in the imitation of painting.The essence is that Yangzhou embroidery is indifferent to its own schema innovation.Yangzhou embroidery needs innovation,only through innovation,in order to gain a firm foothold in the flow of history.
Keywords/Search Tags:Yangzhou embroidery, painting, independence, attachment, relationship
PDF Full Text Request
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