A Comparative Study Of Chinese And Korean "Slow" Variety Narrative Strategies

In recent years,with the rapid development of the economy and the rapid changes in the social environment,people are facing increasing social pressures.They are gradually trying to find various forms of entertainment to relieve their inner anxiety.Nowadays,the inner needs of ordinary people have become the focus of society.focus.From the TV variety show,in 2014,South Korea has already appeared in the "slow" variety show that represents the vision of social class life-"three meals and three meals","three meals a day" has become the luxury of modern people,2017 South Korea "filial piety Lijia B&B and "Yin Shitang" have been broadcasted one after another;in the same year,the "Aspire to Life","Chinese Restaurant" and "Dear Inn" broadcast in China are similar "slow" variety of themes.The audience can experience the slow life by watching the stars “away from the city”and “returning to the pastoral”,and they can also get rid of the current tense life rhythm and get a sense of pleasure.By comparing the "slow" variety show between China and South Korea,the "slow" variety of the same narrative theme in the two countries has great differences in word of mouth and ratings.In view of this phenomenon,this article will cut from the perspective of narratology,compare the narrative strategies of the "slow" variety of China and South Korea,and find that there are big differences between the two countries in three aspects: on the subject of narrative,China is dominated by stars.,supplemented by amateurs;and South Korea focuses on the dual subject of stars and amateurs.In the construction of the storyline,China relies on the dramatic storyline,and Korea relies on non-story plots.In narrative rhetoric,China pays attention to the ready-made story and enlarges the star spectacle,while Korea pays attention to the live story to enlarge the “fantasy” of life.The reason,from the star level to the production of variety shows to the psychological needs of the audience,has led to differences in the narrative strategies of the "slow" variety of the two countries.In general,the "slow" variety show has a place in the Chinese TV variety show market and has a long-term development.It needs to do the following: focus on the shaping of the character of the narrative double subject,and make the character relationship while presenting the character relationship.More three-dimensional;reduce the irrelevant narrative elements,let the audience see the slow life from the "slow" variety;integrate traditional Chinese elements and innovate the advertisingnarrative,gain positive value output,realize the unity of social and economic benefits.