Study On The Visual Wonder Of The Theme Film Since The New Century

Since the new century the theme of the film "the Mekong river action","war 2" Wolf "red sea action" "climbers","I and my country," broke the previous aesthetic monotonous and low vision in the theme movie box office,the films made breakthrough in cultural connotation and visual form,especially the main melody movies visual spectacle in the form of significantly different from the past traditional theme movie,compared to "2" the war Wolf "the red sea action" and "I and my country," the captain of the People's Republic of China and other mainstream movie achieved good results,it is easy to find,"2" the war Wolf "red sea action" pays attention to present a variety of types of elements of wonders,Based on the exploration of Chinese culture and Chinese spirit,I and my Motherland and Captain China are devoted to the display of spectacle images and bring a stronger visual impact to the audience.These films have created a new record of box office and reputation of theme films.The new appearance of narrative and spectacle complementing each other in theme films is,in a fundamental sense,the cultural embodiment of more inclusive and open theme films,as well as the result that theme films adapt to the changes of The Times and the market and actively explore the marketization and commercialization of the new spectacle of film.Theme movie as a special type of Chinese film,is under the influence of visual culture and social transformation,great changes have taken place in the main melody movie value of visual image itself gradually been paid great attention in filmmaking,at the same time,people in the main melody movies more intuitive aesthetic feelings,the main melody movies through visual spectacle of the imaging system to realize the subtle artistic expression of the mainstream ideology.This paper studies from three dimensions of aesthetics,acceptance and ideology.First,the theme film presents a novel visual aesthetic to the audience from the aesthetic perspective,and creates a film effect that is ornamental and ideological,thus attracting a large number of audiences.Secondly,the visual spectacle images of the theme films in China combine the excellent cultural connotation,artistic connotation and human expression of China,so that the theme films carry rich cultural connotation and shocking visual form,and meet the spiritual needs of the audience.Finally,through the spectacle video system with visual charm,more audiences are attracted to watch the main theme films,thus completing the implicit expression of mainstream ideology.