From The Perspective Of Acceptance Aesthetics Research On Theme Films Since Reform And Opening Up

In recent years,theme films such as "War Wolf 2" and "Operation in the Red Sea" have created box office miracles.China's theme film seems to be alive,but at the same time,its word of mouth is polarizing.Behind this phenomenon-level film,it reflects a series of problems that have emerged in the development of China's theme film.To solve the above problems,only analyzing the text creation of the movie is not enough to explain the problem.Content production is only the basis of the movie creation process.Excellent content is very important,but it is also important to understand the audience's viewing intention and aesthetic expectations..Solving problems only from the text is isolated and unrealistic.Only by combining the audience and the film works and investigating together,can we have the opportunity to explore some factors that cause the instability of the main theme film development.Therefore,this article uses the theory of acceptance aesthetics to make in-depth research on the theme film.The research method adopts content analysis method and case analysis method.The first part mainly uses the "summoning structure" theory,one of the basic theories of acceptance aesthetics,to mainly discuss the setting of the "summoning structure" in different development periods of the theme film.The construction of the "summoning structure" is a mirror to see the creation of the main melody movie texts.Through the analysis of the "summoning structure" of the main melody movie texts since the reform and opening up,we can accurately find the problem of the film text settings in different periods;"Expectation horizon" theory analyzes the audience's aesthetic needs and aesthetic expectations in different periods,in order to find out what the audience's needs are in reality.In the last part,the author chooses Douban's website for the audience's main theme movies in a specific period.Evaluation,make analysis and summary of different dimensions,and then compare the deviation between the "summoning structure" of the theme film in different periods and the "expectation horizon" of the audience to analyze the problem of the theme film and propose the author's comment on the theme film Future outlook.