Research The Characterization Of Typical Characters In Critical Realism Comedy Performance

In this paper,through the analysis of the theme and style genre of the play "looking for Avril",the author explores the writing methods of comic character performance through the discussion and research of the script and role positioning;at the same time,the author uses the creation methods and ways of comic character in classic drama works for reference,in order to study the performance methods of comic character in realistic drama works.Looking for Avril is a realistic drama full of black humor and absurd style.It tells a story full of satire from the perspective of a dog.ZhangShunzi and ER Mao,the dog traffickers,saw a dog search revelation in the street,so they disguised their dog "three sons" as "Avril" in the dog search revelation,and took advantage of it to cheat and reward Miss AI who posted the notice.They fell in love with Miss AI at first sight.In order to help Miss AI out of the dilemma,ZhangShunzi promised to take a fake "death" to avenge Miss AI,ZhangShunzi’s "death" has brought opportunities for people around him to extort money from boss GUI.Who wants ZhangShunzi’s friends in front of the temptation of this interest,they finally choose the interest.In order to maximize their own interests,many people hope that ZhangShunzi will die forever.ZhangShunzi finally defected and fell into poverty again.The story takes ZhangShunzi and ER Mao as the main story lines,the emotional entanglement with Miss AI as the main story line,and the development of time as the clue to tell the audience about the fate of the characters in the play.I mainly use Stanislavsky’s experiential school to combine the inner experience of the characters with my emotional experience in the performance method of looking for Avril,and try my best to experience the role emotion in each performance,so as to fully integrate the first self and the second self.In the process of performance,the time background,living environment,professional characteristics,ideological and emotional characteristics of the character are integrated into the character’s language and action.In addition,efforts are made in the role’s action design,that is,the behavior mode and posture.At the same time,I also analyzed the relationship between lines,subtext and inner monologue,in order to accurately convey the characters’ thoughts and feelings.How to integrate my performance style with the overall style of the play is a question that I focused on in this creation.This is a satirical comedy in the style of realism,and ZhangShunzi’s eager for quick success and instant profit and his face of concealing mountains and crossing the sea are the objects that he wants to lash in his works.As the most negative character,I not only perform his flattery,but also find the dilemma and helplessness behind the exaggerated and funny language and body movements,without losing the kindness of the character’s heart.Chaplin’s comedies always focus on reflecting the survival predicament of the little people.The big people and the powerful are the objects of their satire.The bitterness of the little people is depicted through the details.I am deeply inspired and moved.In this comic character,I not only learn from the bold exaggeration of the external modeling,but also sympathize with the hardships and difficulties of the small characters from the deep inside.Throughthe difficulties and Enlightenment in the creation of the play "looking for Avril",I also find the cultural and practical significance of comedy,that is,whipping the false and ugly,singing the true,the good and the beautiful,which has the practical significance that can not be underestimated in any era.