| The new Chinese after the establishment of the "seventeen years" is a political integration time, Literature and art run in the political operation mode. This makes the drama of the period in quite some extent become a personal creative exclusion "official theatrical", at this time drama becomes the mainstream creation. In this harsh environment, the growth of satirical comedy seems extraordinarily difficult. Even though the dramatists are still trying to survive in the cracks, and created a lot of excellent satirical comedies. This essay mainly from the perspective of reception aesthetics to research the acceptance of the satirical comedies in "seventeen years". To investigate the identity, the situation and the destiny of satirical comedy, such a unique artistic style in new china, which summarize the experience and lessons, to reflect the ecological environment of Chinese contemporary theater.The essay divides into five parts including introduction, main parts and conclusion. Introduction to answer the raise of the issue, the research profile and the idea of writing. The first chapter, combing the accept trajectory of satirical comedy in "seventeen years". I will focus on scanning several representative satirical comedies, which are Buy monkeys, Before the coming of a new bureau director, Beautiful spring, The wall, Review of Chang-an, The cuckoo calls again.To clear about the situation and process of acceptance, and then outline the whole accept trajectory of satirical comedy in "seventeen years".In the mid fifties, with bitter sarcasm and ridicule to expose attacked the negative things in real life the satirical comedy ushered in the climax of creation, at that time it attracted wide attention and discussion, but with the development of the "Anti right" campaign, they unfortunately suffers criticism, although there were a short spring in the early 1960s, but the arrival of the "Cultural Revolution" let them battered. Roughly experienced a process from positive to negative to the total negation, until after the "cultural revolution", The satirical of the comedy after twenty years of silence only to bloom again. Chapter 2 discuss and analysis the controversy of satirical comedy in "seventeen years". Mainly focus on these aspects:positive charter, typical, how to deal with the contradictions among the people and "truthful".Then thinking about how to deal with these issues. And concluded that, in dealing with these issues, we must put aside their political shackles from the inherent laws of satirical comedy focus, in the grasp of the good life reality and artistic reality based on, and daring to put all the ugly things, bad things spicy, distinctive exposed to alert people. Chapter 3 mainly focus on the influence of official acceptance,which literary institutions and policies, regulatory and administrative sanction is important to characterize the official acceptance of expression. Finally, summarize the experiences and lessons. Then explore laws and inspiration of drama accept. The key to its development is to correctly deal with the relationship between politics and literature, and to create a political and liberal living environment for the creation of the satire comedy. In addition, we should strengthen the cognition of the comedy itself, Learn a lot from Chinese and foreign classical comedy. In this way can we create a good comedy. |
