A Comparative Study On The Theory Of "Ci Jing" In The Three Works Of Ci Criticism Of Late Qing Dynasty

BaiYuZhai Cihua,HuiFeng Cihua and Human Cihua are known as the three major Cihua in the late Qing dynasty.They are at the end of the history of Chinese ancient Ci,and they are the masterpiece of Chinese classical Ci.Chen Tingzhuo,Guan Zhouyi and Wang Guowei are all at the end of Chinese ancient history,and they have different cultural value orientations in the historical and cultural context of the changes of ancient and modern times and the "great changes never seen in three thousand years".However,due to the differences in cultural value orientations,they have different understandings and expressions on the cultural spirit noumenon,aesthetic characteristics,artistic expression and critical practice of the "Ci context".In essence,the three major words are the theoretical forms of Ci theory with the theory of "Ci context" as the core."BaiYuZhai Cihua" takes "gentleness" as the root of the Ci context,"melancholy" as the aesthetic characteristic of the ci context,and "comparison and belief" as the artistic expression of the Ci context.Chen Tingzhuo reflected his spiritual conversion to traditional Confucian culture by returning to the mainstream poetics.HuiFeng Cihua sticks to Spirit as the foundation of the Word boundary,and "heavy,simple and grand" for the word boundary's aesthetic characteristics,and " All things are nature " for the word boundary of artistic expression.Regarding the filling of individual life as the value of human existence.Theory?of Guan Zhouyi reflects the heterogeneity of traditional mainstream culture of a certain color."Human Cihua" takes "truth" as the root of the Ci context,"solemn and stirring" as the aesthetic characteristic of the ci context,and "no separation" as the artistic expression of the Ci context.Wang Guowei integrated modern life philosophy and tragic poetics into Ci,reflecting the modern value orientation of the tragic truth of life in the universe.Due to the differences in the cultural spirit noumenon,aesthetic characteristics and artistic expression of the "Ci context" of the three Cihua,they have their own different Ci historical view and Ci evaluation when they consider the same Ci history and the same Ci works with "Ci context" as the aesthetic standard.If we take "three words in the late Qing dynasty" as a whole,we can see from their different "Ci context" that they not only reflect the evolution of the aesthetic experience of words,but also reflect a cultural logic from the traditional to the modern in the cultural spirit.It is because the evolution and logic are generated almost in the same historical context that the three words provide us not only the richness of ci itself,but also a window for us to see the complexity of the cultural changes in modern and contemporary China,which is precious.